Manifest in Words, Written on Paper pdf epub mobi txt 电子书 下载 2025
- 海外中国研究
- 海外汉学
- 唐诗
- 书籍史
- 唐詩
- 唐
- 艾朗诺
- 文献学
This study aims to engage the textual realities of medieval literature by shedding light on the material lives of poems during the Tang, from their initial oral or written instantiation through their often lengthy and twisted paths of circulation. Tang poems exist today in stable written forms assumed to reflect their creators' original intent. Yet Tang poetic culture was based on hand-copied manuscripts and oral performance. We have almost no access to this poetry as it was experienced by contemporaries. This is no trivial matter, the author argues. If we do not understand how Tang people composed, experienced, and transmitted this poetry, we miss something fundamental about the roles of memory and copying in the circulation of poetry as well as readers' dynamic participation in the creation of texts. We learn something different about poems when we examine them, not as literary works transcending any particular physical form, but as objects with distinct physical attributes, visual and sonic. The attitudes of the Tang audience toward the stability of texts matter as well. Understanding Tang poetry requires acknowledging that Tang literary culture accepted the conscious revision of these works by authors, readers, and transmitters.
具体描述
读后感
原来只给了三星，现在改成四星。 我是在一堂历史课上读到这本书。读完之后，发现这不是一本历史学著作，作为唐诗研究，在史料上也显单薄，虽然作者在运用西方有关记忆、口头文学、文本批评的理论很有分寸感。 不过确实，作者也说了，他不研究唐诗内容本身，他讲的事唐诗的物质...
评分The first chapter of Nugent’s book convincingly reverses a conviction that has guided modern scholarship of Tang poetry in China since it started out in the early 20th century. This conviction holds that a version of a Tang poem that dated from an earlier ...
评分The first chapter of Nugent’s book convincingly reverses a conviction that has guided modern scholarship of Tang poetry in China since it started out in the early 20th century. This conviction holds that a version of a Tang poem that dated from an earlier ...
评分原来只给了三星，现在改成四星。 我是在一堂历史课上读到这本书。读完之后，发现这不是一本历史学著作，作为唐诗研究，在史料上也显单薄，虽然作者在运用西方有关记忆、口头文学、文本批评的理论很有分寸感。 不过确实，作者也说了，他不研究唐诗内容本身，他讲的事唐诗的物质...
评分原来只给了三星，现在改成四星。 我是在一堂历史课上读到这本书。读完之后，发现这不是一本历史学著作，作为唐诗研究，在史料上也显单薄，虽然作者在运用西方有关记忆、口头文学、文本批评的理论很有分寸感。 不过确实，作者也说了，他不研究唐诗内容本身，他讲的事唐诗的物质...
用户评价
非常有趣！如果某个平行世界里我叛逃去古代文学的话，大概就是在做手稿研究吧
评分非常有趣！如果某个平行世界里我叛逃去古代文学的话，大概就是在做手稿研究吧
评分主要论点：记忆术、抄写场景、文本流变的形式。目录结构的目的：唐人是怎么创作一首诗的，怎么记忆和传播诗，使用诗，改变诗的。作为读者的“创作者”身份。 第一章秦妇吟最好，序言次之，其他看看即可。
评分将唐诗与欧洲中世纪文学比较，很厉害。
评分The first chapter on the text variation in pre-Song poetic manuscripts is most provocative, shaking parts of the foundation of traditional Chinese philology. The question that follows is how we can conduct aesthetic analysis of poetry after we know that no single version is authoritative, or should we continue doing so?
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