Fifteen years ago, Susan Morrow left her first husband Edward Sheffield, an unpublished writer. Now, she's enduring middle class suburbia as a doctor's wife, when out of the blue she receives a package containing the manuscript of her ex-husband's first novel. He writes asking her to read the book; she was always his best critic, he says.
As Susan reads, she is drawn into the fictional life of Tony Hastings, a math professor driving his family to their summer house in Maine. And as we read with her, we too become lost in Sheffield's thriller. As the Hastings' ordinary, civilized lives are disastrously, violently sent off course, Susan is plunged back into the past, forced to confront the darkness that inhabits her, and driven to name the fear that gnaws at her future and will change her life.
Austin Wright was born in New York in 1922. He was a novelist and academic, for many years Professor Emeritus of English at the University of Cincinnati. He lived with his wife and daughters in Cincinnati, and died in 2003 at the age of eighty.
文Shirleysays 《代寻旧时光》是部有点儿特别的小说,就像契诃夫的《装在套子里的人》,一个故事里套着另外一个故事。其实,如果直译书名的话,就是《托尼和苏珊》,以两个故事的主角命名书名。中间的“和”字用得好!究竟是什么使他们相连?是情感吗?是命运吗?还是我们猜...
评分文Shirleysays 《代寻旧时光》是部有点儿特别的小说,就像契诃夫的《装在套子里的人》,一个故事里套着另外一个故事。其实,如果直译书名的话,就是《托尼和苏珊》,以两个故事的主角命名书名。中间的“和”字用得好!究竟是什么使他们相连?是情感吗?是命运吗?还是我们猜...
评分一 我们的90年代 合上《代寻旧日时光》,第一个涌入脑海的情景并不是苏珊纠结的旧爱、托尼丧亲的痛苦,反而是一个词——“90年代”。这个我们曾经无比熟悉却已然远去的时代,在知识分子、文艺青年为80年代的文艺热潮欢呼雀跃的时候,90年代显得低调、尴尬而势微。 可那是我们的...
评分书中书的结构并不新奇,但是一直是我的所爱,《影之书》、《失物之书》、《爱的历史》、《告别的年代》……我读过很多此类的图书,老实说《代寻旧日时光》虽然也采用了此类手法,但是比那些书还是略有逊色的。 通常来说会选择以书中书为写作结构的作者,多数都是爱书之人,爱...
已经很久没有一气儿看完一本书。it's dark, it's thrilling. 文明人遇上无赖简直是一点办法也没有。整本书的架构很新鲜,我不停地在tony和susan之间切换,问自己会否做出不同的选择,是不是也会当个忽略问题自欺欺人的文明人。和原著比起来电影的刺痛感要尖锐得多。但原著的心理描写着实出彩。
评分虛構寫作刻劃人物心裡描寫波瀾壯闊起伏變化,「戲裡戲」手法人物穿插轉化靈活自如猶如神助。
评分tony亲眼目睹案发现场尸体 还有 susan跟Edward离婚的段子 看一遍哭一遍
评分心理描写确实有趣,然鹅感觉跟电影完全都是两回事了啊~~~
评分心理描写确实有趣,然鹅感觉跟电影完全都是两回事了啊~~~
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