Sam Halliday is Lecturer at the Queen Mary, University of London.
This title reveals the many roles and forms of sound in modernism. Drawing on a wealth of texts and thinkers, the book shows the distinctive nature of sonic cultures in modernity. Arguing that these cultures are not reducible to sound alone, the book further shows that these encompass representations of sound in 'other' media: especially literature; but also, cinema and painting. Figures discussed include canonical writers such as Joyce, Richardson, and Woolf; relatively neglected writers such as Henry Roth and Bryher; and a whole host of musicians, artists, and other commentators, including Wagner, Schoenberg, Kandinsky, Adorno, and Benjamin. Conceptually as well as topically diverse, the book engages issues such as city noise and 'foreign' accents, representations of sound in 'silent' cinema, the relationship of music to language, and the effects of technology on sonic production and reception.
评分
评分
评分
评分
其中关于the sociality of sound, seeing sound, the metaphysics of music的讨论蛮有用的。
评分其中关于the sociality of sound, seeing sound, the metaphysics of music的讨论蛮有用的。
评分其中关于the sociality of sound, seeing sound, the metaphysics of music的讨论蛮有用的。
评分其中关于the sociality of sound, seeing sound, the metaphysics of music的讨论蛮有用的。
评分其中关于the sociality of sound, seeing sound, the metaphysics of music的讨论蛮有用的。
本站所有内容均为互联网搜索引擎提供的公开搜索信息,本站不存储任何数据与内容,任何内容与数据均与本站无关,如有需要请联系相关搜索引擎包括但不限于百度,google,bing,sogou 等
© 2025 qciss.net All Rights Reserved. 小哈图书下载中心 版权所有