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Camus asked the question "Why not kill yourself tonight?" and taught why you should live. Eternally exiled, without a father, without heritage, without memory of a homeland, every man is the First Man tossed onto this world, who must learn his own way to live to the fullest, never yielding to the Absurd.

Camus asked the question "Why not kill yourself tonight?" and taught why you should live. Eternally exiled, without a father, without heritage, without memory of a homeland, every man is the First Man tossed onto this world, who must learn his own way to live to the fullest, never yielding to the Absurd.

Camus asked the question "Why not kill yourself tonight?" and taught why you should live. Eternally exiled, without a father, without heritage, without memory of a homeland, every man is the First Man tossed onto this world, who must learn his own way to live to the fullest, never yielding to the Absurd.

Camus asked the question "Why not kill yourself tonight?" and taught why you should live. Eternally exiled, without a father, without heritage, without memory of a homeland, every man is the First Man tossed onto this world, who must learn his own way to live to the fullest, never yielding to the Absurd.

Camus asked the question "Why not kill yourself tonight?" and taught why you should live. Eternally exiled, without a father, without heritage, without memory of a homeland, every man is the First Man tossed onto this world, who must learn his own way to live to the fullest, never yielding to the Absurd.

“1885-1914……那个曾是他父亲的人比他还要年轻”。 一 “没有上帝，一切都是允许的。” ——陀思妥耶夫斯基，《卡拉马佐夫兄弟》 一辆风雨兼程的简陋马车，忐忑不安的高麦利夫妇，刚抵达目的地就诞生的小雅克——加缪通过对自己出生场景的虚构，拉开了整本书的叙事帷幕。...  

文 / 韵竹 前阵子翻看加缪影集，真真令人惊异。镜头中的作家，融合了鲍嘉式的硬朗与高卢人的修长；穿着考究，比艺术家还要像艺术家。他那些美好绚烂的瞬间，往往捕捉于海滩上、山崖边，与女伴玩耍、狂奔、雀跃，打破了常人对哲学家的固有印象——深居简出，在封闭的书房里挑灯...  

Content: Expressive, detailed, constantly flowing with powerful paragraphs. A reader could see the key elements of the writer’s childhood repeatedly and remarkably stressed. e.g. poverty, non-responsive yet beautiful surroundings, transcendent experience a...

Content: Expressive, detailed, constantly flowing with powerful paragraphs. A reader could see the key elements of the writer’s childhood repeatedly and remarkably stressed. e.g. poverty, non-responsive yet beautiful surroundings, transcendent experience a...

文 / 韵竹 前阵子翻看加缪影集，真真令人惊异。镜头中的作家，融合了鲍嘉式的硬朗与高卢人的修长；穿着考究，比艺术家还要像艺术家。他那些美好绚烂的瞬间，往往捕捉于海滩上、山崖边，与女伴玩耍、狂奔、雀跃，打破了常人对哲学家的固有印象——深居简出，在封闭的书房里挑灯...