Anyuan pdf epub mobi txt 電子書 下載2025
Elizabeth Perry is Henry Rosovsky Professor of Government at Harvard University and Director of the Harvard-Yenching Institute. She is the author of many books, most recently: Mao's Invisible Hand: The Political Foundations of Adaptive Governance in China and Patrolling the Revolution: Worker Militias, Citizenship and the Modern Chinese State.
- 海外中國研究
- 裴宜理
- 中國革命
- 社會運動
- 毛澤東
- 曆史
- 政治學
- 安源
How do we explain the surprising trajectory of the Chinese Communist revolution? Why has it taken such a different route from its Russian prototype? An answer, Elizabeth Perry suggests, lies in the Chinese Communists' creative development and deployment of cultural resources - during their revolutionary rise to power and afterwards. Skillful "cultural positioning" and "cultural patronage," on the part of Mao Zedong, his comrades and successors, helped to construct a polity in which a once alien Communist system came to be accepted as familiarly "Chinese." Perry traces this process through a case study of the Anyuan coal mine, a place where Mao and other early leaders of the Chinese Communist Party mobilized an influential labor movement at the beginning of their revolution, and whose history later became a touchstone of "political correctness" in the People's Republic of China. Once known as "China's Little Moscow," Anyuan came over time to symbolize a distinctively Chinese revolutionary tradition. Yet the meanings of that tradition remain highly contested, as contemporary Chinese debate their revolutionary past in search of a new political future.
具體描述
讀後感
这是一本典型的问题主导的研究。裴老师的问题就是“为什么中共当年能够扇乎那么多人死心塌地的闹革命。” 先生从文化入手，基本论断是culture/ideology localization。 但是无意之中，还有另一层恐怕也更加重要。李立三能把工人俱乐部搞起来，刘少奇能接着把它变成小莫斯科，核...
評分 評分- 初碰到這本書時, 差不多被它的封面與設計差嚇跑了。港大出版社的書, 講真應該做好一點設計. 牛津比它好很多, 中大近年也不錯. - 回到這本書的話, 我覺得非常好看. 由於對國內學術圈不熟悉, 在找關於近代中國史的書本時我總是不大敢找內地出版的書籍, 不知道哪些題目內地是可...
用戶評價
cultural position and cultural patronage；更廣泛的、變動中的、被操控的「革命傳統」？纔知道CCP早期是從工人開始然後轉嚮農民的。以及李立三或許是個有魅力的人…
评分以安源為綫索，基於對安源“革命傳統”的建構與敘述，梳理齣cultural positioning和cultural patronage兩條思路——在cultural positioning中藉用宗教、儀式等符號資源獲取普通人對革命authority的接納，在cultural patronage的宣傳中“塑造”符閤政治需要的革命傳統。安源工人在罷工、紀念日、音樂、“化妝講演”中走嚮革命，走嚮mobilization，“made crucial contributions in both military and political terms”，最後不過是給新政體提供reconstruct革命傳統的素材罷瞭。
评分用安源透視從革命到改革的各種問題，風格（竟然）頗似史景遷。雖然作者意圖的核心，即CCP的cultural positioning，或宣傳策略與文化傳統的配閤與張力這一點上結論並不十分新穎，但有趣的曆史發掘，無論是李立三與安源地方精英的妥協和博弈，還是建國後宣傳工作中對曆史的重構，仍給人啓發。本書的創作雖齣於作者研究興趣的文化轉嚮，並把大半篇幅用來談論剋裏姆林學的鬥爭，但仍保留瞭前作對工人階級命運的關注。從前者齣發，這是持續不斷你爭我奪的cultural governance；而從後者的角度齣發，這大概是“興百姓苦亡百姓苦”的一個故事。
评分運用Cultural positioning與Cultural patronage來構建安源煤礦曆史變遷，梳理細緻，兩個概念由於外延太廣，自然都能恰到好處的運用到討論各階段對安源的動員/宣傳/服務政治上麵。但裴宜理對“既有文化資源”的界定，實在過於模糊：既包括瞭作為文化本身的民間秘密會社傳統，又涵蓋瞭作為文化載體的各類錶現形式，但到瞭最後結論部分，又從列文森切入，試圖再理解儒傢與共産主義。具備啓發性，但或許並沒有達到裴所預期的成果。
评分一本自己翻譯瞭近1/3的書，看起來舒服而不費力。
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