Introduction: The Coming of Age of Chinese Cinemas Studies; S.Hwee Lim & J.Ward
PART I: TERRITORIES, TRAJECTORIES, HISTORIOGRAPHIES
Transnational Chinese Cinema Studies; C.Berry
National Cinema as Translocal Practice: Reflections on Chinese Film Historiography; Y.Zhang
Cinemas of the Chinese Diaspora; G.Marchetti
Six Chinese Cinemas in Search of a Historiography; S.Hwee Lim
PART II: EARLY CINEMA TO 1949
Shadow Magic and the Early History of Film Exhibition in China; X.Huang & Z.Xiao
The Making of a National Cinema: Shanghai Films of the 1930s; L.Pang
Wartime Cinema: Reconfiguration and Border Navigation; Y.Wang
Chinese Film-making on the Eve of the Communist Revolution; P.G.Pickowicz
PART III: THE FORGOTTEN PERIOD: 1949–80
The Remodelling of a National Cinema: Chinese Films of the 17 Years (1949–66); J.Ward
Healthy Realism in Taiwan, 1964–80: Film Style, Cultural Policies, and Mandarin Cinema; G.Hong
The Hong Kong Cantonese Cinema: Emergence, Development and Decline; S.Teo
PART IV: THE NEW WAVES
The Fifth Generation: A Re-assessment; W.Larson
Taiwan New Cinema and Its Legacy; T.Lu
The Hong Kong New Wave: A Critical Reappraisal; V.P.Y.Lee
PART V: STARS, AUTEURS AND GENRES
Dragons Forever: Chinese Martial Arts Stars; L.Hunt
The Contemporary Wuxia Revival: Genre Remaking and the Hollywood Transnational Factor; K.Chan
On the Shoulders of Giants: Tsai Ming-liang, Jia Zhangke, Fruit Chan and the Struggles of Second Generation Auteurism; J.Udden
The Urban Generation: Underground and Independent Films from the PRC; J.McGrath
Contemporary Mainstream PRC Cinema; Y.Braester
Contemporary Meta Chinese Film Stardom and Transnational Transmedia Celebrity; A.Ciecko
Afterword: Liquidity of Being; R.Chow
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