Film Festivals pdf epub mobi txt 电子书 下载 2025
Marijke de Valck studied Theatre, Film and Television Studies at Utrecht University. She graduated cum laude with a thesis on transmedial storytelling in film, television and new media. After having worked two years for an internet company, she joined the University of Amsterdam to conduct her Ph.D. on international film festivals, which she completed cum laude in 2006. Afterwards she taught courses in the film programme and the MA programme Preservation and Presentation of the Moving Image at UvA, while working on a CMI-studies (communication, media and information) project for the Royal Netherlands Academy of Arts and Sciences. Marijke now works as an assistant professor in the department of Media Studies.
- 电影研究
- 电影节
- 电影节研究
- 迷影
- 电影史
- 欧洲
- 外
- 参考书
The film festival has come a long way from its relatively humble origins in Venice in 1932—when nine nations presented twenty-five feature films screened in an open-air cinema where men had to adhere to standards of formal evening attire. Hugely popular events that attract diverse lovers of cinema worldwide, today’s most famous film festivals—Cannes, Berlin, Venice, and Rotterdam—continue the story of a phenomenon that began in the midst of geopolitical disputes in war-torn Europe. Film Festivals shows how these festivals turned impediments into advantages and developed a successful global network that addresses issues as diverse as programming and prizes, national legitimation, city marketing, cinephilia, glamour, and audience. Discussing the festival as a media event and looking closer at various festival visitors, this volume also questions whether “successful” is in fact the appropriate term for understanding developments that could be considered dogmatic in their insistence on framing filmmakers as auteurs and films as belonging to “new waves.” An essential title for everyone interested in the culture, politics, and history that surround the celebration of cinema, Film Festivals proves that the movies are still our greatest—and most fêted—escape
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修改文献综述又看了一遍 就怎么讲，理论都是直接拿来用的，用电影节经验去验证某个理论，比如“帝国”理论本身也是有争议的，而且她好喜欢把无数个理论杂在一起啊，比如把拉图尔的opp和特纳过渡仪式放在一起，创造了一个sites of passage，只能说非常creative 但实际上这个概念放眼望去也就三巨头适用。
评分今天就要见到偶像了！！！开会简直学术追星！
评分今天就要见到偶像了！！！开会简直学术追星！
评分我还是觉得她用ANT的同时使用Castell的“space of flows”和Luhmann的system theory是太讨巧（甚至自相矛盾；她jump还蛮多的）的做法，Latour应该不会高兴哈哈…叙述方式受ANT影响，只写有行动的actors，喜欢她这种把理论散置的写法，但mediators明显不全啊啊啊
评分我还是觉得她用ANT的同时使用Castell的“space of flows”和Luhmann的system theory是太讨巧（甚至自相矛盾；她jump还蛮多的）的做法，Latour应该不会高兴哈哈…叙述方式受ANT影响，只写有行动的actors，喜欢她这种把理论散置的写法，但mediators明显不全啊啊啊
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