A film tells its story not only through dialogue and actors' performances but also through the director's control of movement and shot design. Figures Traced in Light is a detailed consideration of how cinematic staging carries the story, expresses emotion, and beguiles the audience through pictorial composition. Ranging over the entire history of cinema, David Bordwell focuses on four filmmakers' unique contributions to the technique. In-depth chapters examine Louis Feuillade, master of the 1910s serial; Kenji Mizoguchi, the great Japanese director who worked from the 1920s to the 1950s; Theo Angelopoulos, who began his career as a political modernist in the late 1960s; and Hou Hsiao-hsien, the Taiwanese filmmaker who in the 1980s became the preeminent Asian director. For comparison, Bordwell draws on films by Howard Hawks, Michelangelo Antonioni, Yasujiro Ozu, Takeshi Kitano, and many other directors. Superbly illustrated with more than 500 frame enlargements and 16 color illustrations, Figures Traced in Light situates its close analysis of model sequences in the context of the technological, industrial, and cultural trends that shaped the directors' approaches to staging.
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4.5。容或有削足適履之處，也不可否認對我「如何看」帶來重大啟發。
评分on staging. great book.
评分还是那种态度。大波关注国际电影的态度非常值得尊敬。对电影的热爱非常值得肯定。但书还只是流于语言上的表达。个别定义有些牵强。个别scene的解读甚至不值得推敲。也许应用在他的截图上就很合适。一放回到电影里去就立不住脚。他更多还是限于一名历史学者吧。
评分on staging. great book.
评分略”花哨”
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