The Freudian Robot

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Lydia H. Liu is W. T. Tam Professor in the Humanities in the Department of East Asian Languages and Cultures and Director of Graduate Studies at the Institute for Comparative Literature and Society at Columbia University. She is the author or editor of seven books in English and Chinese, including, most recently The Clash of Empires: The Invention of China in Modern World Making.

出版者:The University of Chicago Press
作者:Lydia H. Liu
出品人:
頁數:264
译者:
出版時間:2011-2-28
價格:USD 24.00
裝幀:Paperback
isbn號碼:9780226486833
叢書系列:
圖書標籤:
  • 劉禾 
  • 文化研究 
  • 精神分析 
  • 弗洛伊德 
  • 哲學 
  • 網絡媒體 
  • 新媒體 
  • history 
  •  
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The identity and role of writing has evolved in the age of digital media. But how did writing itself make digital media possible in the first place? Lydia H. Liu offers here the first rigorous study of the political history of digital writing and its fateful entanglement with the Freudian unconscious.

Liu’s innovative analysis brings the work of theorists and writers back into conversation with one another to document significant meetings of minds and disciplines. She shows how the earlier avant-garde literary experiments with alphabetical writing and the word-association games of psychoanalysis contributed to the mathematical making of digital media. Such intellectual convergence, she argues, completed the transformation of alphabetical writing into the postphonetic, ideographic system of digital media, which not only altered the threshold of sense and nonsense in communication processes but also compelled a new understanding of human-machine interplay at the level of the unconscious.

Ranging across information theory, cybernetics, modernism, literary theory, neurotic machines, and psychoanalysis, The Freudian Robot rewrites the history of digital media and the literary theory of the twentieth century.

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劉禾認為戰後法國後結構主義的重要思想來源是美國的控製論和計算機技術,也就是說,60年代紅起來的“法國理論”其實是美國理論的齣口轉內銷。可算是重要的轉嚮之作,但是相比她寫的和中國研究相關的兩本書,這本關注似乎不多。

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看的時候一直在懷疑自己智商為負,還有“我是中國人嗎,莊子到底說瞭什麼,我是中國人為什麼不懂莊子,我真的懂中文嗎,我不懂中文吧”之後再看吧

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看的時候一直在懷疑自己智商為負,還有“我是中國人嗎,莊子到底說瞭什麼,我是中國人為什麼不懂莊子,我真的懂中文嗎,我不懂中文吧”之後再看吧

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將在讀變成讀過,經過挺長的時間,這本書很值得玩味,細讀不為過。

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