The Art of Describing

The Art of Describing pdf epub mobi txt 電子書 下載2025

出版者:University Of Chicago Press
作者:Svetlana Alpers
出品人:
頁數:302
译者:
出版時間:1984-04-15
價格:USD 32.50
裝幀:Paperback
isbn號碼:9780226015132
叢書系列:
圖書標籤:
  • 藝術史 
  • 荷蘭 
  • 視覺文化 
  • 藝術 
  • 十七世紀 
  • SvetlanaAlpers 
  • VisualCulture 
  • 透視 
  •  
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"The art historian after Erwin Panofsky and Ernst Gombrich is not only participating in an activity of great intellectual excitement; he is raising and exploring issues which lie very much at the centre of psychology, of the sciences and of history itself. Svetlana Alpers's study of 17th-century Dutch painting is a splendid example of this excitement and of the centrality of art history among current disciples. Professor Alpers puts forward a vividly argued thesis. There is, she says, a truly fundamental dichotomy between the art of the Italian Renaissance and that of the Dutch masters. . . . Italian art is the primary expression of a 'textual culture, ' this is to say of a culture which seeks emblematic, allegorical or philosophical meanings in a serious painting. Alberti, Vasari and the many other theoreticians of the Italian Renaissance teach us to 'read' a painting, and to read it in depth so as to elicit and construe its several levels of signification. The world of Dutch art, by the contrast, arises from and enacts a truly 'visual culture.' It serves and energises a system of values in which meaning is not 'read' but 'seen, ' in which new knowledge is visually recorded."--George Steiner, "Sunday Times"

"There is no doubt that thanks to Alpers's highly original book the study of the Dutch masters of the seventeenth century will be thoroughly reformed and rejuvenated. . . . She herself has the verve, the knowledge, and the sensitivity to make us see familiar sights in a new light."--E. H. Gombrich, "New York Review of Books"

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寫得沒有關於倫勃朗的那本輕鬆,有的學徒工用盡九牛二虎之力的氣喘籲籲。跟Panofsy相比,顯得有些稚嫩。她好喜歡Vermeer,從幾段描寫中可以見齣。

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開頭瞭 然後就放瞭許久瞭

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還要再讀

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給你一個老劉

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非常重要的書。內容和思路原創性很強、作者的一些論點也頗為大膽,格局灑脫但是不鬆散。其實從某種程度上可以算是一種去中心化的嘗試,具體有兩點,1.基本完全脫離意大利的語境和assumption,也很少refer到意大利的藝術傳統,而是完全從荷蘭的文化智識傳統梳理方式荷蘭人的觀看方式,2.也脫離瞭傳統藝術史以Vasarian的方法、圖像學和形勢分析為核心的思路。前麵章節和Bacon結閤在一起的部分非常咱。美中不足的是感覺作者有點急著想把自己的論點說清楚而稍微有點不那麼從容,不過當然是瑕不掩瑜~

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