An ever-increasing proportion of our lives is spent in supermarkets, airports and hotels, on motorways or in front of TVs, computer and cash machines. This invasion of the world by what Marc Auge calls ‘non-space’ results in a profound alteration of awareness: something we perceive, but only in a partial and incoherent manner. Auge uses the concept of ‘supermodernity’ to describe the logic of these late-capitalist phenomena—a logic of excessive information and excessive space. In this fascinating and lucid essay he seeks to establish and intellectual armature for an anthropology of supermodernity. Starting with an attempt to disentangle anthropology from history, Auge goes on to map the distinction between place, encrusted with historical monuments and creative social life, and non-place, to which individuals are connected in a uniform manner and where no organic social life is possible.
Unlike Baudelairean modernity, where old and new are interwoven, supermodernity is self-contained: from the motorway or aircraft, local or exotic particularities are presented two-dimensionally as a sort of theme-park spectacle. Auge does not suggest that supermodernity is all-encompassing: place still exist outside non-place and tend to reconstitute themselves inside it. But he argues powerfully that we are in transit through non-place for more and more of our time, as if between immense parentheses, and concludes that this new form of solitude should become the subject of an anthropology of its own
Marc Auge写作这个文本主要是为了建立一种关于当代空间实践的人类学。人类学长期是研究“the others”的,往往是原始部落与海岛居民这类被建构,想象出来的相对遗世独立的人群。Auge将人类学的方法与对象带到了当代的日常世界。他认为如果前现代的历史与场所(区域的,城市的,...
評分Marc Auge写作这个文本主要是为了建立一种关于当代空间实践的人类学。人类学长期是研究“the others”的,往往是原始部落与海岛居民这类被建构,想象出来的相对遗世独立的人群。Auge将人类学的方法与对象带到了当代的日常世界。他认为如果前现代的历史与场所(区域的,城市的,...
評分 評分看了几篇书评都是捧得,发现这篇居然用有点刻薄的语调进行了近乎全盘的否定。 他认为奥吉的书只是说现代城市没有提供生活的场所,但是没有对比,只有(没解释过的)悖论,也没有给自己的理论留讨论验证的空间和证明的线索以及改变的可能。 因为奥吉说到场所的三个特点是relati...
評分自己正身處於一個試圖achieve and even reach beyond supermodernity的群體裏,我和Pitchard都很睏惑他們是怎麼做齣的這個決定.
评分(結果為這個degree看完的第一本理論書籍不是電影理論
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评分20世紀法國齣瞭多少驚世駭俗讓人目瞪口呆的思想者。相形之下,莫斯列維斯特勞斯杜濛這些人帶齣來的人類學,可以說是乏悶瞭;也沒什麼齣彩的田野。
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