圖書標籤: 電影  電影研究  大衛·波德維爾  美國  曆史  cinema  David_Bordwell  電影理論   

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selective reading for FS388, didn't exactly finish/ overarching argument on treating the Classical Hollywood group style as a whole, which absorbs and assimilates any technological advancements and stylistic influences, finds a balance between stabilization of profit-guaranteed way of filmmaking and product differentiation to compete in the market

selective reading for FS388, didn't exactly finish/ overarching argument on treating the Classical Hollywood group style as a whole, which absorbs and assimilates any technological advancements and stylistic influences, finds a balance between stabilization of profit-guaranteed way of filmmaking and product differentiation to compete in the market

這對夫妻太厲害瞭

bazin好厲害 一句話讓人寫瞭這麼厚一本書。。。

經典~~

Preface 引语 Hollywood as the dream factory: ‘How can you tell if people would want drugs so much today, if we still gave them this dream-world on film?’ (Ruth Waterbury). Hollywood as an arm of the culture industry: ‘The tone adopted by every film is th...

Preface 引语 Hollywood as the dream factory: ‘How can you tell if people would want drugs so much today, if we still gave them this dream-world on film?’ (Ruth Waterbury). Hollywood as an arm of the culture industry: ‘The tone adopted by every film is th...

Preface 引语 Hollywood as the dream factory: ‘How can you tell if people would want drugs so much today, if we still gave them this dream-world on film?’ (Ruth Waterbury). Hollywood as an arm of the culture industry: ‘The tone adopted by every film is th...

Preface 引语 Hollywood as the dream factory: ‘How can you tell if people would want drugs so much today, if we still gave them this dream-world on film?’ (Ruth Waterbury). Hollywood as an arm of the culture industry: ‘The tone adopted by every film is th...

Preface 引语 Hollywood as the dream factory: ‘How can you tell if people would want drugs so much today, if we still gave them this dream-world on film?’ (Ruth Waterbury). Hollywood as an arm of the culture industry: ‘The tone adopted by every film is th...