Watchmen

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Alan Moore is an English writer most famous for his influential work in comics, including the acclaimed graphic novels Watchmen, V for Vendetta and From Hell. He has also written a novel, Voice of the Fire, and performs "workings" (one-off performance art/spoken word pieces) with The Moon and Serpent Grand Egyptian Theatre of Marvels, some of which have been released on CD.

As a comics writer, Moore is notable for being one of the first writers to apply literary and formalist sensibilities to the mainstream of the medium. As well as including challenging subject matter and adult themes, he brings a wide range of influences to his work, from the literary–authors such as William S. Burroughs, Thomas Pynchon, Robert Anton Wilson and Iain Sinclair; New Wave science fiction writers such as Michael Moorcock; horror writers such as Clive Barker; to the cinematic–filmmakers such as Nicolas Roeg. Influences within comics include Will Eisner, Harvey Kurtzman, Jack Kirby and Bryan Talbot.

出版者:DC Comics
作者:Alan Moore
出品人:
頁數:416
译者:
出版時間:1995-4-1
價格:CAD 22.99
裝幀:Paperback
isbn號碼:9780930289232
叢書系列:
圖書標籤:
  • 漫畫 
  • AlanMoore 
  • 美國 
  • DC 
  • 反烏托邦 
  • 科幻 
  • graphic_novel 
  • Comic 
  •  
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Has any comic been as acclaimed as Alan Moore and Dave Gibbons' Watchmen? Possibly only Frank Miller's The Dark Knight Returns, but Watchmen remains the critics' favorite. Why? Because Moore is a better writer, and Watchmen a more complex and dark and literate creation than Miller's fantastic, subversive take on the Batman myth. Moore, renowned for many other of the genre's finest creations (Saga of the Swamp Thing, V for Vendetta, and From Hell, with Eddie Campbell) first put out Watchmen in 12 issues for DC in 1986-87. It won a comic award at the time (the 1987 Jack Kirby Comics Industry Awards for Best Writer/Artist combination) and has continued to gather praise since.

The story concerns a group called the Crimebusters and a plot to kill and discredit them. Moore's characterization is as sophisticated as any novel's. Importantly the costumes do not get in the way of the storytelling; rather they allow Moore to investigate issues of power and control--indeed it was Watchmen, and to a lesser extent Dark Knight, that propelled the comic genre forward, making "adult" comics a reality. The artwork of Gibbons (best known for 2000AD's Rogue Trooper and DC's Green Lantern) is very fine too, echoing Moore's paranoid mood perfectly throughout. Packed with symbolism, some of the overlying themes (arms control, nuclear threat, vigilantes) have dated but the intelligent social and political commentary, the structure of the story itself, its intertextuality (chapters appended with excerpts from other "works" and "studies" on Moore's characters, or with excerpts from another comic book being read by a child within the story), the finepace of the writing and its humanity mean that Watchmen more than stands up--it keeps its crown as the best the genre has yet produced. --Mark Thwaite

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讀後感

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写得太精彩了,想了一会,决定还是转载过来,目的是也许能够又潜在的读者喜欢上这个漫画 原文:http://winteronmars.blogbus.com/logs/8103531.html 看完阿兰·摩尔大神的漫画Watchmen,正好是午夜过一分钟。漫画每一话末页上都有的世界末日倒计时,到了最后一话,指针正好也...  

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关于《守望者》能谈的东西太多了。我只想说两个人物:堂吉诃德与哈姆莱特。《守望者》并没有这两个人物。可是世界上哪都有这两个人物,因为人们迟早都要回答同一个问题。 罗曼罗兰说“世界上只有一种英雄主义,就是认清生活的真相之后依然热爱生活。”只可惜《守望者...  

用戶評價

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末世情結 反英雄主義 看破紅塵的“喜劇演員”最有魅力 對羅夏這種激進右派無好感

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虛無主義者真慘,量子物理學美歸美,但是還是研究佛學比較好。

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看過漫畫,纔知道電影還原度有多高。紮剋·施奈德真·宅男!

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一場笑話

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壯哉,手錶俠!

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