Qin Shao is Associate Professor of History at the College of New Jersey.
This is a multidimensional study of a simulation of modernity that transformed Nantong, a provincial town, from a rural backwater to a model of progress in early twentieth-century China. The author analyzes this transformation by depicting the new institutional and cultural phenomena used by the elite to exhibit the modern: a museum, theater, cinema, sports arenas, parks, photographs, name cards, paper money, clocks, architecture, investigative tourism, and public speaking. In focusing on this exhibitory modernity and its role in reconstructing this local community and in promoting “the Nantong model” nationwide, the book sheds intriguing new light on the connections between local and national politics and rural and urban experience.
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后现代与新文化史影子,张謇南通现代化,如何透过印刷文化、照相、旅行等exhibitory modernity逐步成为“模范”;反思缺乏“反记忆“史料之困境,有方法论价值,惜仅intro和chap.6略点;狼山-汪利平西湖;时间-叶文心;名胜-韩书瑞/梅尔清。1949后的下半部呢?
评分后现代与新文化史影子,张謇南通现代化,如何透过印刷文化、照相、旅行等exhibitory modernity逐步成为“模范”;反思缺乏“反记忆“史料之困境,有方法论价值,惜仅intro和chap.6略点;狼山-汪利平西湖;时间-叶文心;名胜-韩书瑞/梅尔清。1949后的下半部呢?
评分后现代与新文化史影子,张謇南通现代化,如何透过印刷文化、照相、旅行等exhibitory modernity逐步成为“模范”;反思缺乏“反记忆“史料之困境,有方法论价值,惜仅intro和chap.6略点;狼山-汪利平西湖;时间-叶文心;名胜-韩书瑞/梅尔清。1949后的下半部呢?
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评分后现代与新文化史影子,张謇南通现代化,如何透过印刷文化、照相、旅行等exhibitory modernity逐步成为“模范”;反思缺乏“反记忆“史料之困境,有方法论价值,惜仅intro和chap.6略点;狼山-汪利平西湖;时间-叶文心;名胜-韩书瑞/梅尔清。1949后的下半部呢?
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