Author: Barry Keith Grant
Release: 2006
Publisher: Schirmer Reference
Format: PDF
ISBN: 0028657918 (0-02-865791-8)
ISBN 13: 9780028657912 (978-0-02-865791-2)
List Price: $482.00
Edition: 1
The Schirmer Encyclopedia of Film is intended as a standard reference work in the field of
film studies. Designed to meet the needs of general readers, university students, high school
students and teachers, it offers a comprehensive and accessible overview of film history and
theory with an American emphasis.
SCOPE OF THE WORK
Readers will find in the Schirmer Encyclopedia of Film the major facts about film history,
clear explanations of the main theoretical concepts and lines of scholarly interpretation, and
guidance through important debates. Approaching cinema as art, entertainment, and
industry, the Encyclopedia features entries on all important genres, studios, and national
cinemas, as well as entries on relevant technological and industrial topics, cultural issues,
and critical approaches to film.
To be sure, there are numerous other reference works and film encyclopedias available,
on the shelves of both retail bookstores and library reference sections. However, the
Schirmer Encyclopedia of Film is distinctive in format and coverage. The Encyclopedia’s
200 entries are substantial in length-from approximately 1,500 to 9,000 words. Even as
these essays distill influential scholarship in different areas of film studies, they also offer
fresh arguments and perspectives.
Accompanying the main entries are more than 230 sidebars profiling important figures
in film history. More than career summaries, each profile places the subject’s achievements
within the context of the particular entry it accompanies, offering a historical or theoretical
perspective on the person profiled.
GUIDE TO THE WORK
Within the main entries, the first mention of a film title is the film’s original language title
followed parenthetically by the American release title, the name of the director (if it is not
mentioned in the text), and the year of the film’s release. A title that has no English release title is
translated parenthetically but not italicized. In subsequent mentions of non-English language
titles within the same entry, the most well-known title is used.Also upon first mention, the names
of historically important figures are followed parenthetically by the dates of birth and death.
Each of the entries is followed by a Further Reading section. These bibliographies
include both any works referenced in the body of the entry and other major works on the
subject in English. In a few instances books or articles published in languages other than
English are mentioned where appropriate. For the most part, references to Internet sources
are not included, because of their more fleeting nature, except where appropriate.
The sidebars-highlighting important individual accomplishments-are color-coded
to indicate broadly the type of achievement discussed. Sidebars for actors and performers
are shaded in green, directors in blue, and those involved in other aspects of film
production in yellow. People whose influence has been more culturally pervasive and
not restricted primarily to cinema, are shaded in tan.
Each of the sidebars is followed by headings for Recommended Viewing and Further
Reading. The viewing sections are not complete film o graphies but suggest the best, most
representative, or most useful works concerning the person profiled. Similarly, the reading
lists are not meant as definitive lists but are intended to steer the reader by citing the
principal sources of information regarding the subject.
The Encyclopedia also features an Index and a Glossary. The comprehensive index,
including all topics, concepts, names, and terms discussed in the work, will enable readers
to locate information throughout the Encyclopedia in a more thorough manner than cross references
provided at the end of entries. Readers should use the Glossary to track subjects
not treated in separate articles but discussed within the context of multiple articles. The
Glossary provides concise definitions of terms used in the entries as well as other basic film
studies terms that informed readers should know.
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这本厚重的电影百科全书,在我眼中简直就是一部视觉与知识的盛宴,每一次翻阅都像是在进行一次穿越时空的电影之旅。从默片时代的经典光影,到新浪潮的锐利锋芒,再到当代数字影像的无尽探索,它几乎涵盖了电影史上所有重要的流派、导演、技术革新以及关键性的作品。我尤其欣赏它在梳理复杂历史脉络时的清晰度,并非简单地罗列事实,而是将电影艺术的发展巧妙地嵌入到当时的社会文化背景之中,让你能深刻理解为什么某些电影会在特定的时间点出现,又为何会产生如此巨大的影响力。比如,它对德国表现主义电影的剖析,不仅仅停留在那些扭曲的布景和强烈的明暗对比上,更是深入探讨了魏玛共和国时期的精神困境如何被视觉化,那种渗透在光影中的焦虑感,让人读后久久不能平静。再比如,对于那些被主流叙事遗漏的独立制片人或区域性电影运动的关注,也体现了编纂者的广阔视野和严谨态度,这对于一个真正想深入了解电影世界的人来说,是无比宝贵的财富。它不是那种读完就束之高阁的工具书,更像是一位知识渊博、言辞精准的私人导师,总能在你想要探究某个具体导演的创作手法时,提供恰到好处的切入点和深度的分析。
评分如果用一个词来形容这套书的阅读体验,那就是“沉浸”。我很少在一部参考工具书中体验到如此强烈的“在场感”。这要归功于编纂者在收录大量严肃分析的同时,也保持了对电影“魅力”本身的尊重。书中对服装设计、布景艺术乃至特定场景的配乐选择的细致描述,都仿佛能将你瞬间拉回到那个特定电影的拍摄现场。对我来说,这不仅仅是一部用来查阅资料的书,更像是一个私人策划的、无时限的电影博物馆导览手册。我最喜欢的是那些关于“幕后故事”的片段,它们往往穿插在严肃的理论分析之间,提供了人性化的侧面观察,比如某位巨星在片场与导演的矛盾,或是某个创新性镜头是如何在预算紧张的情况下被鬼斧神工地实现的。正是这些生动的、充满人情味的细节,避免了百科全书可能出现的刻板和冰冷,使得这本巨著不仅是学术的殿堂,也是影迷心灵的温暖居所。
评分我必须说,这本书的排版和信息密度处理得非常高明,尽管内容极其庞杂,但阅读体验却出乎意料地流畅。它巧妙地运用了交叉引用和索引系统,使得在追踪某个演员的职业生涯轨迹时,能清晰地看到他/她与其他导演或流派的合作脉络,构建了一个宏大而细致的电影关系网络图。我记得有一次,我只是好奇某个冷门的意大利新现实主义导演的早期作品,结果通过书中的链接,我不仅找到了该导演的详细履历,还顺藤摸瓜地了解到了当时整个制片体系的运作模式,以及战后意大利社会对电影审查态度的松动过程。这种层层递进的探索机制,极大地激发了我主动学习的热情。相较于一些只关注好莱坞黄金时代的参考书,这本书在非英语系电影的介绍上显得尤为慷慨和专业,无论是东亚的黑泽明、小津安二郎,还是欧洲的贝拉·塔尔,都能得到与其贡献相匹配的篇幅和详尽的学术评估。这让我的观影视野得到了极大的拓展,不再局限于那些耳熟能详的经典,而是敢于去探索那些更具挑战性、更少人问津的艺术宝藏。
评分这本书的价值,更在于它为我提供了一种“批判性观看”的全新视角。以往我可能只是被电影的视觉奇观或故事所吸引,但阅读了关于电影工业化、制片厂制度的运作,以及不同时期审查制度对创作自由的制约后,我开始能够更深入地解读银幕背后的权力结构。比如,在分析某个特定时代的好莱坞大制作时,它会毫不留情地揭示其背后的意识形态宣传意图,或者某个角色塑造是如何迎合了当时社会对性别角色的刻板印象。这并不是要否定艺术的愉悦性,而是让我能够将娱乐产品视为复杂的文化文本进行阅读和解构。这种能力一旦建立起来,我看待任何新的电影作品时,都会不由自主地进行多层次的扫描和思考,从摄影机的角度到制片方的动机,乃至观众的接受度,构成了一个更完整的认知闭环。它教会了我,电影不仅仅是娱乐,更是一种强有力的、往往是潜移默化的社会沟通工具。
评分说实话,一开始我对这样一本“百科全书”式的著作抱有一种谨慎的态度,总担心它会变成流水账式的知识堆砌,缺乏真正的洞察力。然而,这本书真正打动我的地方在于它对“电影理论”和“技术发展”的整合处理。它没有将电影史割裂成“导演A做了什么”和“技术B如何演变”的两部分,而是将两者视为互为因果的整体。例如,在讨论特吕弗或戈达尔如何颠覆传统叙事时,它会穿插解释同期摄影技术和剪辑软件的进步是如何为这种颠覆提供了物质基础和新的可能性。这种将艺术理念与工程实现并置的叙述方式,极大地提升了我对电影制作全貌的理解。对于那些希望从理论研究层面切入的读者来说,书中对符号学分析、后结构主义思潮在电影中的应用等复杂的理论框架的介绍,也做得非常平易近见,用生动的案例(而非晦涩的术语)来解释抽象概念,这一点值得大加赞赏。
评分英语电影分析课阅读材料的来源
评分英语电影分析课阅读材料的来源
评分USA-emphasised, scholarly centred, historically structured, broadly introduced (considering the dictionary form)
评分英语电影分析课阅读材料的来源
评分USA-emphasised, scholarly centred, historically structured, broadly introduced (considering the dictionary form)
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