Review
Falkon and Waugh have done a huge service in presenting this historical material to us to enjoy, lust at and ponder over.
—Edge (Edge 20070701)
A fantastic re-issue. . . . This book is a must-have for anyone who is seriously interested in the history of gay art, and even for folks who are just wanting a general overview of the subject.
—Monotonous.net (Monotonous.net 20070517)
Arty smut ... [including] a variety of accomplished, moving, alarming, and amusing works by artists, accompanied by engaging commentary.
—Outwords (Winnipeg) (Outwords )
A treasure trove of early gay pornography.
—Chicago Free Press (Chicago Free Press )
Gay Art: A Historic Collection is essential reading for anyone interested in gay graphics, gay history, in the cultural history of the 1960s and 70s, sex in the arts, or plain old hot pictures....
—Inches Magazine (part of a 9-page article, including an interview with co-author Thomas Waugh) (Inches Magazine )
The authors and the press deserve a lot of credit and thanks for putting together this revised edition of the 1972 collection of erotic gay male art.... This is an excellent book that's comprehensive and fun.
—Torso magazine (Torso Magazine )
Erotic gay male art is a very big category but this revised and updated edition of the bestselling Greenleaf book does a good job. Thomas Waugh really educates the reader with his excellent introduction and his captions for the illustrations throughout the book.
—Mandate magazine (Mandate )
Kudos to Arsenal Pulp Press for bringing [Gay Art] back.... Waugh's witty commentary for each of the 154 images—reaching back to the lusty satyrs of ancient Greece—are a zesty addition to the book, whose erotic greats include Blade, Etienne, Graewolf, and Quantance, each artist a stimulating precursor to today's self-pleasuring DVDs.
—San Francisco Bay Times (SF Bay Times review )
Gay Art is not only fun to look at, but it puts the genre of gay art in an historical perspective that is well written and most informative.
—Liberty Press (Wichita, KS) (Liberty Press (Wichita) )
For me, the most interesting thing about this book is the way new information was found between the two versions, and how censorship has evolved since the beginning of the 1970s.... For the late 60s/early 70s perspective of the original author on art, gay rights and society, Gay Art does deserve its subtitle, "a historic collection."
—The Gay Comics List (Gay Comics List )
The book retains Falkon's witty profiles and commentary [from the original], updating it with the artists' real names whenever possible, and adds a long introduction by Waugh, along with some clever interpretative captions.... The book has unquestionable value as a look into the fantasy life of gay men from the 1950s to the 70s.
—Bay Area Reporter (Bay Area Reporter )
This new edition is worth perusing for what it tells of an earlier era's depiction of sexuality and masculinity.... Those glancing at this volume will undoubtedly contemplate not only how much has changed but also how much has not in depicting gay male life.
—Canadian Book Review Annual (Canadian Book Review Annual )
Product Description
When originally published by Greenleaf Editions in 1972, A Historic Collection of Gay Art was the first book of its kind to document expressions of gay male sexuality as depicted in visual art, from antiquity to pop culture. Its frank and unapologetic survey of the pleasures of the flesh was, for gay men, unprecedented, and it remains the starting-point for modern-day discussions of erotic gay male artwork and comics.
This new edition has been updated by the original author, Felix Lance Falkon, and Thomas Waugh, author of the similarly themed bestsellers Out/Lines and Lust Unearthed. It features erotic line drawings and other artwork from ancient Greece to 1970s America, by artists both anonymous and infamous (including Tom of Finland, Graewolf, Blade, and Aubrey Beardsley), as well as an insightful narrative that provides a fascinating historical context for these images, including their production and dissemination.
Gay Art also provides a modern-day discussion about pleasure and permission: questions about how we define erotic imagery and what we should and should not be allowed to see. Subversive, smart, and sexy, Gay Art takes erotic images from the past out of the closet and into the light of present day.
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这本书的整体调性是极其成熟和内敛的,它不哗众取宠,也不刻意追求惊世骇俗,但其力量却在潜移默化中积蓄爆发。我注意到作者在处理“关系”这一主题时,那种细腻入微的观察力简直令人叹服。无论是两个人对视的瞬间,还是仅仅是肩膀的轻微触碰,那种电流般的张力都被捕捉得丝丝入扣。这需要创作者对人类情感的微妙之处有极其敏锐的洞察力,绝非肤浅的描摹。我读下来感觉,这本书提供了一个非常安全的空间,让我得以审视和理解人类情感中那些复杂、矛盾却又真实的部分。它不是在说教,而是在展示,用最不动声色的方式,呈现出生命中最深刻的连接与疏离,这种高级的艺术表达,远胜于任何直接的宣言。
评分我得说,这本书的内容编排逻辑非常巧妙,它没有采用传统的线性和时间顺序来组织材料,而是像一个精巧的万花筒,将不同时期、不同风格的作品进行富有张力的并置。这种“非线性”的叙事方式,反而激发出我更多联想和思考。比如,相邻的两页作品,可能在风格上南辕北辙,但仔细品味,却能发现某种隐藏的主题或情感的某种延续性,这就像是在解谜,每一次发现新的联系都让人感到惊喜。这本书的作者显然对艺术史有着深刻的理解,他的作品在致敬经典的同时,又注入了强烈的个人风格,使得整部作品既有厚重的历史感,又不失当代的活力。我特别喜欢看这种跳跃式的组合,它迫使读者不能被固定的框架所限制,必须调动自己所有的知识和情感储备去填补空白,构建属于自己的阅读路径。
评分这本书的装帧设计简直是视觉的盛宴,从封面到内页的排版,都透露出一种对细节的极致追求。那种纸张的质感,拿在手里沉甸甸的,仿佛能感受到创作者的心意。我尤其欣赏作者在色彩运用上的大胆与克制,有些地方的色彩饱和度高得惊人,让人移不开眼,而转过一页,又是极简的黑白线条,这种强烈的对比带来的冲击感,让人在阅读过程中始终保持着一种新鲜的兴奋。尤其是那些跨页的大图,简直可以用“震撼”来形容,印刷的精度非常高,即便是最微妙的笔触和纹理都能清晰地再现,让人仿佛能触摸到画布本身的肌理。光是翻阅这本书,对我而言就是一种享受,它不仅仅是内容的载体,本身就是一件值得收藏的艺术品。我花了很长时间去品味那些设计元素,从字体选择到留白的处理,每一步都体现了专业水准,绝对是市面上少有的高质量画册级别作品。
评分阅读体验上,这本书给我带来了一种非常宁静而深入的沉思。作者似乎有一种魔力,能将复杂的情感用最纯粹的画面语言表达出来,不需要冗长晦涩的文字解释,仅仅是那些人物的眼神、肢体的姿态,就已经将故事娓娓道来。我发现自己经常会停下来,对着某一幅作品驻足良久,试图去解读画中人物隐藏的心绪和故事背景。它不是那种快餐式的阅读,更像是一场需要耐心的对话,你投入越多,获得的回响也越丰富。有几幅作品描绘的场景,那种光影的层次感处理得极其精妙,让人在炎炎夏日中感到一丝清凉,或是在寒冬里感受到一丝暖意。这种氛围的营造能力,非常了不起,它成功地把我从日常的琐碎中抽离出来,带入到一个完全由作者构建的、充满情感张力的想象世界中。
评分坦白讲,刚拿到这本书时,我其实有点担心它会过于学术化或晦涩难懂,但实际翻阅下来,我的顾虑完全消散了。作者的表达方式非常具有亲和力,尽管主题深刻,但画面本身却有着直抵人心的力量,即使是没有受过专业艺术训练的人,也能感受到其中蕴含的情感能量。我喜欢它那种对“瞬间”的捕捉能力,仿佛时间被按下了慢放键,让我们得以细致观察每一个转瞬即逝的表情和光影变化。这本书让我联想到了很多我自己的生活片段,那些曾经模糊的情绪,在看到某些特定的画面时,突然被清晰地勾勒出来,带来一种豁然开朗的感觉。它像一面镜子,反射出我们内心深处那些不愿正视却又真实存在的情感侧面,是一次非常棒的自我探索之旅。
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