具体描述
A monumental work in the history of religion, the history of the book, the study of politics, and bibliographical research, this volume follows the making of the Chinese Buddhist canon from the fourth century to the digital era. Approaching the subject from a historical perspective, it ties the religious, social, and textual practices of canon formation to the development of East Asian Buddhist culture and enlivens Chinese Buddhist texts for readers interested in the evolution of Chinese writing and the Confucian and Daoist traditions.
The collection undertakes extensive readings of major scriptural catalogs from the early manuscript era as well as major printed editions, including the Kaibao Canon, Qisha Canon, Goryeo Canon, and Taisho Canon. Contributors add fascinating depth to such understudied issues as the historical process of compilation, textual manipulation, physical production and management, sponsorship, the dissemination of various editions, cultic activities surrounding the canon, and the canon's reception in different East Asian societies. The Chinese Buddhist canon is one of the most enduring textual traditions in East Asian religion and culture, and through this exhaustive, multifaceted effort, an essential body of work becomes part of a new, versatile narrative of East Asian Buddhism that has far-reaching implications for world history.
作者简介
Jiang Wu is professor of Chinese religion and thought in the Department of East Asian Studies at the University of Arizona. His research interests include Chinese Buddhism, especially Chan/Zen Buddhism and the Chinese Buddhist canon; Sino-Japanese Buddhist exchanges; and the application of GIS tools in the study of Chinese culture and religion. He is the author of Enlightenment in Dispute: The Reinvention of Chan Buddhism in Seventeenth-Century China and Leaving for the Rising Sun: Chinese Zen Master Yinyuan and the Authenticity Crisis in Early Modern East Asia.
Lucille Chia is professor of history at the University of California at Riverside. Her research interests include Chinese book culture, most recently the history of Buddhist publishing in imperial China. She is the author of Printing for Profit: The Commercial Publishers of Jianyang, Song-Ming (960–1644) and coeditor of Knowledge and Text Production in an Age of Print: China, 900–1400.
目录信息
Acknowledgments
Conventions
Introduction, by Jiang Wu and Lucille Chia
Part I: Overview
1. The Chinese Buddhist Canon Through the Ages: Essential Categories and Critical Issues in the Study of a Textual Tradition, by Jiang Wu
2. From the "Cult of the Book" to the "Cult of the Canon": A Neglected Tradition in Chinese Buddhism, by Jiang Wu
Part II: The Formative Period
3. Notions and Visions of the Canon in Early Chinese Buddhism, by Stefano Zacchetti
4. Fei Changfang's Lidai sanbao ji and Its Role in the Formation of the Chinese Buddhist Canon, by Tanya Storch
Part III: The Advent of Printing
5. The Birth of the First Printed Canon: The Kaibao Edition and Its Impact, by Jiang Wu, Lucille Chia, and Chen Zhichao
6. The Life and Afterlife of Qisha Canon, by Lucille Chia
7. Managing the Dharma Treasure: Collation, Carving, Printing, and Distribution of the Canon in Late Imperial China, by Darui Long
Part IV: The Canon Beyond China
8. Better Than the Original: The Creation of Goryeo Canon and the Formation of Giyang Pulgyo, by Jiang Wu and Ron Dziwenka
9. Taisho Canon: Devotion, Scholarship, and Nationalism in the Creation of the Modern Buddhist Canon in Japan, by Greg Wilkinson
Appendix 1. A Brief Survey of the Printed Editions of the Chinese Buddhist Canon, by Li Fuhua and He Mei
Appendix 2. The Creation of the CBETA Electronic Tripitaka Collection in Taiwan, by Aming Tu
Bibliography
List of Contributors
Index
· · · · · · (收起)
读后感
比較仔細地看了左冠明的那一章。筆記貼在這裡。 Stefano Zacchetti, “Notions and Visions of the Canon in Early Chinese Buddhism” 一、引言：漢文佛教大藏經的二重性格 大藏經的性格各有不同，漢文大藏經同時具有包容性（inclusive nature）、保守性（conservative nature...
In this book, Speaking Buddha’s words in East Asia, the Chinese (or East Asian) Buddhist Canon, which used to serve as the primary research sources for Buddhist scholars, is studied as a physical object and understood as a part of religious material cultur...
比較仔細地看了左冠明的那一章。筆記貼在這裡。 Stefano Zacchetti, “Notions and Visions of the Canon in Early Chinese Buddhism” 一、引言：漢文佛教大藏經的二重性格 大藏經的性格各有不同，漢文大藏經同時具有包容性（inclusive nature）、保守性（conservative nature...
In this book, Speaking Buddha’s words in East Asia, the Chinese (or East Asian) Buddhist Canon, which used to serve as the primary research sources for Buddhist scholars, is studied as a physical object and understood as a part of religious material cultur...
比較仔細地看了左冠明的那一章。筆記貼在這裡。 Stefano Zacchetti, “Notions and Visions of the Canon in Early Chinese Buddhism” 一、引言：漢文佛教大藏經的二重性格 大藏經的性格各有不同，漢文大藏經同時具有包容性（inclusive nature）、保守性（conservative nature...
用户评价
这本书的叙事节奏掌控得极其出色，读起来简直像在品味一壶陈年的佳酿，初尝微涩，回味无穷。它避开了许多同类著作那种枯燥的教条式介绍，转而采用了一种更具人文关怀的视角，着重刻画了那些在历史十字路口做出关键抉择的个体命运。我特别喜欢作者对社会权力结构与宗教渗透之间微妙关系的探讨。比如，书中关于某个特定王朝如何巧妙地利用新的精神资源来巩固其世俗统治的分析，视角之犀利，令人拍案叫绝。这种将宏观历史趋势与微观个体行为相结合的写作手法，让原本严肃的历史论述变得鲜活而富有感染力。而且，作者在材料的取舍上极为克制，没有将所有已知信息一股脑倾泻出来，而是精准地挑选出最具代表性的案例进行深入挖掘，这使得整本书的阅读体验非常流畅，不会产生信息过载的疲惫感，真正做到了引人入胜。
这部著作的深度和广度实在令人惊叹。作者显然投入了难以估量的精力，去梳理和阐释那些根植于古代亚洲社会结构深处的精神脉络。我尤其欣赏它处理复杂历史语境的方式，不是简单地罗列事实，而是细致入微地剖析了不同文化圈在接收、改造和传播核心信仰体系时所展现出的创造性与张力。书中对早期文本的引用和解读，展现了作者扎实的古典学功底，使得即便是对该领域稍有涉猎的读者，也能领略到那些晦涩概念在历史长河中如何被赋予新的生命力。它不仅仅是一部学术研究，更像是一幅精心绘制的文化地图，清晰地勾勒出思想是如何跨越地理和语言的障碍，最终在广袤的东方大地上生根发芽的过程。阅读过程中，我不断被其宏大的叙事结构和严谨的论证逻辑所折服，那些看似零散的宗教事件和人物传记，在作者的笔下被巧妙地编织成一幅意义连绵不绝的史诗画卷，让人对人类精神追求的韧性有了更深刻的理解。
坦白讲，这本书的真正价值在于它对“连接性”的深刻洞察。它成功地将看似分散在不同地理区域、不同历史时期的现象，纳入到一个统一的、动态的演化模型中加以审视。我们不再孤立地看待某一个地区或某一个教派的兴衰，而是将其置于一个更宏大的交流网络之中去理解。书中对于信息、人员和物质流动的追踪，细致入微，仿佛能看到那些看不见的丝线是如何将遥远的社群联系在一起的。这种全局观极大地拓宽了我的历史视野，让我认识到文化和信仰的传播从来都不是单向度的灌输，而是一个充满互动、协商和重新定义的复杂过程。这本书为我们理解全球化背景下的文化交流提供了极具前瞻性的历史参照，它的结论不仅关乎过去，对当下的文化碰撞与融合也具有强烈的现实指导意义，是一部真正具有里程碑意义的著作。
这本书的语言风格优雅而精准，读起来非常享受，完全不像一本厚重的学术专著。作者的文字功底深厚，遣词造句既有古典的韵味，又不失现代学术的清晰度。在描述那些复杂的哲学概念时，他总能找到既准确又不失诗意的表达方式，仿佛在引导读者穿过一片迷雾，最终抵达豁然开朗的境地。我感觉自己好像跟随一位学识渊博的智者进行了一场漫长的对话，他不仅告知了我知识，更重要的是，他教会了我如何去思考这些知识背后的深层含义。书中引用的许多段落，即便是脱离上下文也具有极强的哲理思辨价值，我甚至会停下来，反复咀嚼其中的妙处。这种将学术的严谨性与文学的美感完美结合的尝试，在同类著作中是极为罕见的，使得阅读过程本身成为一种精神上的愉悦体验。
我必须说，这本书在方法论上的创新性是它最引人注目的亮点之一。它巧妙地融合了人类学、社会学和宗教史学的研究工具，打破了传统史学界线分明的学科壁垒。书中对于仪式、符号系统在跨文化传播中的变异过程的分析，构建了一个极具洞察力的分析框架。作者并不满足于描述“发生了什么”，而是深入追问“为什么会这样改变”，这种对内在动因的探究，使全书充满了智力上的挑战性。我尤其赞赏其中对于“在地化”现象的细致描摹，那些异质文化元素是如何被本土的审美情趣和伦理观念所重塑的细节，读来令人深思。这不仅仅是关于一个宗教的故事，它更是一部关于文化适应与创造性转化的典范之作。对于任何希望理解文化动力学的人来说，这本书都提供了不可替代的视角和工具。
无聊
从书籍史的角度看，吴疆的文章很是惊艳，贾晋珠的文章反倒显得一般～
水平参差不齐。个人认为只有Wu和Zacchetti在研究思路上有启发意义。有几篇基本属于史料搬运，无聊。
从书籍史的角度看，吴疆的文章很是惊艳，贾晋珠的文章反倒显得一般～
无聊
