Slavoj Žižek is a philosopher and cultural critic. He is the author of more than thirty books, including Looking Awry: An Introduction to Jacques Lacan through Popular Culture, The Puppet and the Dwarf: The Perverse Core of Christianity, The Parallax View, and (with John Milbank) The Monstrosity of Christ: Paradox or Dialect, these four published by the MIT Press.
“A serious and good philosophical work could be written consisting entirely of jokes.”—Ludwig Wittgenstein
The good news is that this book offers an entertaining but enlightening compilation of Žižekisms. Unlike any other book by Slavoj Žižek, this compact arrangement of jokes culled from his writings provides an index to certain philosophical, political, and sexual themes that preoccupy him. Žižek’s Jokes contains the set-ups and punch lines—as well as the offenses and insults—that Žižek is famous for, all in less than 200 pages.
So what’s the bad news? There is no bad news. There’s just the inimitable Slavoj Žižek, disguised as an impossibly erudite, politically incorrect uncle, beginning a sentence, “There is an old Jewish joke, loved by Derrida . . .“ For Žižek, jokes are amusing stories that offer a shortcut to philosophical insight. He illustrates the logic of the Hegelian triad, for example, with three variations of the “Not tonight, dear, I have a headache” classic: first the wife claims a migraine; then the husband does; then the wife exclaims, “Darling, I have a terrible migraine, so let’s have some sex to refresh me!” A punch line about a beer bottle provides a Lacanian lesson about one signifier. And a “truly obscene” version of the famous “aristocrats” joke has the family offering a short course in Hegelian thought rather than a display of unspeakables.
Žižek’s Jokes contains every joke cited, paraphrased, or narrated in Žižek’s work in English (including some in unpublished manuscripts), including different versions of the same joke that make different points in different contexts. The larger point being that comedy is central to Žižek’s seriousness.
p127-9 标题自拟 否定的否定不是回到肯定,而是在保持否定的情况下通过辩证视差得到对于否定命题的新理解。拉比诺维奇的笑话的内在逻辑根本上便是“否定的否定”的逻辑。另一个经典的例子是两个人在火车上,一个人问另一个犹太人他们是如何把人骗的内裤都不剩的。 这就像那个关...
評分p127-9 标题自拟 否定的否定不是回到肯定,而是在保持否定的情况下通过辩证视差得到对于否定命题的新理解。拉比诺维奇的笑话的内在逻辑根本上便是“否定的否定”的逻辑。另一个经典的例子是两个人在火车上,一个人问另一个犹太人他们是如何把人骗的内裤都不剩的。 这就像那个关...
評分p127-9 标题自拟 否定的否定不是回到肯定,而是在保持否定的情况下通过辩证视差得到对于否定命题的新理解。拉比诺维奇的笑话的内在逻辑根本上便是“否定的否定”的逻辑。另一个经典的例子是两个人在火车上,一个人问另一个犹太人他们是如何把人骗的内裤都不剩的。 这就像那个关...
評分p127-9 标题自拟 否定的否定不是回到肯定,而是在保持否定的情况下通过辩证视差得到对于否定命题的新理解。拉比诺维奇的笑话的内在逻辑根本上便是“否定的否定”的逻辑。另一个经典的例子是两个人在火车上,一个人问另一个犹太人他们是如何把人骗的内裤都不剩的。 这就像那个关...
評分p127-9 标题自拟 否定的否定不是回到肯定,而是在保持否定的情况下通过辩证视差得到对于否定命题的新理解。拉比诺维奇的笑话的内在逻辑根本上便是“否定的否定”的逻辑。另一个经典的例子是两个人在火车上,一个人问另一个犹太人他们是如何把人骗的内裤都不剩的。 这就像那个关...
http://www.dfdaily.com/html/1170/2014/4/13/1141115.shtml 齣中文版瞭
评分齊澤剋的書都值得力薦,當然這本有點特彆,是文摘,所以敘述論述的邏輯連貫性沒有瞭,讀著倒是輕鬆,讀過就都忘瞭,迴頭把標注做個筆記。
评分齊如山講許多古人為讓詩歌流傳去寫小說。齊澤剋為瞭讓笑話流傳去寫哲學?“如果我不能用笑話解釋哲學會令我不安”的態度令人動容。現在好,齣笑話單行本,有點像空口吃味精。後三分之一炸裂,黑格爾白格爾都付笑談中。
评分齊澤剋的書都值得力薦,當然這本有點特彆,是文摘,所以敘述論述的邏輯連貫性沒有瞭,讀著倒是輕鬆,讀過就都忘瞭,迴頭把標注做個筆記。
评分精神分析裏滋生齣來的笑話怎麼可能不衝著phallus去!
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