圖書標籤: 藝術史 海外中國研究 美術史 文化史 列文森中國研究書籍奬 安雅蘭 中國 中國政治
发表于2024-12-22
Painters and Politics in the People's Republic of China, 1949-1979 pdf epub mobi txt 電子書 下載 2024
Julia Andrews's extraordinary study of art, artists, and artistic policy during the first three decades of the People's Republic of China makes a major contribution to our understanding of modern China. From 1949 to 1979 the Chinese government controlled the lives and work of the country's artists—these were also years of extreme isolation from international artistic dialogue. During this period the Chinese Communist Party succeeded in eradicating most of the artistic styles and techniques it found politically repugnant. By 1979, traditional landscape painting had been replaced by a new style and subject that was strikingly different from both contemporary Western art and that of other Chinese areas such as Taiwan, Hong Kong, and Singapore.
Through vivid firsthand accounts, Andrews recreates the careers of many individual artists who were forced to submit to a vacillating policy regarding style, technique, medium, and genre. She discusses the cultural controls that the government used, the ways in which artists responded, and the works of art that emerged as a result. She particularly emphasizes the influence of the Soviet Union on Chinese art and the problems it created for the practice of traditional painting.
This book opens the way to new, stimulating comparisons of Western and Eastern cultures and will be welcomed by art historians, political scientists, and scholars of Asia.
安雅蘭( JULIA F. ANDREWS ), 美國加州大學博士,其導師為高居翰。現任美國俄亥俄州大學藝術史係教授,中國繪畫及現代中國藝術研究專傢。她的第一部專著《中華人民共和國的畫傢與政治》(1994),被亞洲研究協會評選為當年度現代中國研究的最佳專著,她因此獲約瑟夫·列文森奬。
Chapters.1, 5, 6
評分Re-read!!!
評分Re-read!!!
評分這個有中文版本麼
評分http://publishing.cdlib.org/ucpressebooks/view?docId=ft6w1007nt;brand=ucpress 鏈接是全書的內容,電子版。 現代美術史,建國以來三十年的政治、美術研究,強調藝術傢在政治中的創作,可以看到江豐一直受到作者關
编者按:对于建国至改革开放这一段的美术,当代人大多持以不屑的态度,觉得这些作品无非是革命化的标签,因此在研究上也就没有引起足够的重视。然而如果我们超越出审美品评的眼光,对于这段历史能有一个更严肃、更深入的回望,那么这无疑将会加深我们对于当代艺术文化转型的认...
評分编者按:对于建国至改革开放这一段的美术,当代人大多持以不屑的态度,觉得这些作品无非是革命化的标签,因此在研究上也就没有引起足够的重视。然而如果我们超越出审美品评的眼光,对于这段历史能有一个更严肃、更深入的回望,那么这无疑将会加深我们对于当代艺术文化转型的认...
評分国立艺术院 National Academy of Art (Guoli Yishu Yuan) 国立杭州艺专 National Hangzhou Academy of Art (Guoli Hangzhou Yizhuan) 国立北平艺专 National Peking Academy of Art (Guoli Beiping Yizhuan) 中央美术学院 Central Academy of Fine Arts 中国美术学院 China Aca...
評分编者按:对于建国至改革开放这一段的美术,当代人大多持以不屑的态度,觉得这些作品无非是革命化的标签,因此在研究上也就没有引起足够的重视。然而如果我们超越出审美品评的眼光,对于这段历史能有一个更严肃、更深入的回望,那么这无疑将会加深我们对于当代艺术文化转型的认...
評分编者按:对于建国至改革开放这一段的美术,当代人大多持以不屑的态度,觉得这些作品无非是革命化的标签,因此在研究上也就没有引起足够的重视。然而如果我们超越出审美品评的眼光,对于这段历史能有一个更严肃、更深入的回望,那么这无疑将会加深我们对于当代艺术文化转型的认...
Painters and Politics in the People's Republic of China, 1949-1979 pdf epub mobi txt 電子書 下載 2024