The 1995 Booker Prize finalist finally back in print. Alan Hollinghurst's hypnotic and exquisitely written novel tells the story of Edward Manners, a disaffected 33-year-old who leaves England to earn his living as a language tutor in a Flemish city. Almost immediately he falls in love with one of his pupils, but can only console himself with other, illicit affairs. With this novel, Hollinghurst exposes us fearlessly to the consequences of unfulfillable, annihilating desire. Alan Hollinghurst is the author of "The Swimming-Pool Library" and "The Spell." He has received the Somerset Maugham Award, the E. M. Forster Award of the American Academy of Arts and Letters, and the James Tait Black Memorial Prize for Fiction. His most recent novel, "The Line of Beauty," " "won the Man Booker Prize for fiction and was nominated for the National Book Critics Circle Award. He lives in London. Finalist for the 1994 Booker Prize Alan Hollinghurst's hypnotic and exquisitely written novel tells the story of Edward Manners, a disaffected thirty-three-year-old who leaves England to earn his living as a language tutor in a Flemish city. Almost immediately he falls in love with one of his pupils, but can only console himself with other, illicit affairs. With this novel, Hollinghurst exposes us fearlessly to the consequences of unfulfillable, annihilating desire. "An immense pleasure to read, filled with] funniness and poetry, handled with amazing sensitivity and accuracy."--"The New York Review of Books""" "Alan Hollinghurst may be the best living writer of erotic fiction, gay or straight . . . he renders with haunting precision love's merging of language and lust."--"The Boston Phoenix" "His fluid prose, with its dense accruing of detail and richly allusive quality, is that of an early modern writer. Hollinghurst is closer to Mann or Nabokov than to his contemporaries."--"The Boston Globe""" " This novel] splendidly evokes an airless, achy melancholy set off by unrequited love in a story as laden with emotion as it is shaped by artistry."--"Newsday" "Hollinghurst's prose is a genuine achievement--lavish, poised, sinuously alert."--"The New Republic" "Middle-aged Edward comes to a Flemish city to teach English only to fall in love with one of his pupils and to become involved with an obsessive artist who is playing a dangerous psychological game. Readers who relish psychological depth will find this includes plenty of drama and intrigue."--"The Midwest Book Review" "Sensibility overwhelms narrative in this story of homoerotic obsession, a second novel from the British Hollinghurst (The Swimming-Pool Library, 1988). Pudgy, bespectacled Edward Manners is a 32-year-old gay Englishman just arrived in an unidentified Flemish town, where he will give English lessons to two students, pursue his own 'bits of writing, ' and check out the gay scene--a Continental adventure before the onset of middle age. In short order, he finds a sex partner (Cherif, a hot young Moroccan) and falls in love with one of his students, 17-year-old Luc Altidore, 'a blond Aztec' expelled from an exclusive Jesuit school for serious truancy. Edward does not declare his love, though his theft of his beloved's underwear is a symptom of his obsession, an obsession he finds paralleled in the life of local Symbolist painter Edgard Orst (1865-1944) while working on a catalogue for the Orst Museum. Orst became obsessed with a Scottish actress. Though their affair was cut short when she drowned at sea, Orst painted her for the rest of his life. Edward starts to see Luc's eyes as those of an 'Orst temptress;' he is fascinated by the story, appropriately, for he is a pedant/aesthete whose most passionate outburst is reserved for a Muzak rendition of Mozart in a hotel dining room. Edward's cultural and sexual history is detailed further when he returns to England for the funeral of his one great love; as teenagers, they made love beneath Milton's 'folding star.'"--"Kirkus Reviews" "Hollinghurst's ("The Swimming Pool Library") erotic novel of a language tutor's obsession with his teenage pupil was a Booker Prize finalist."--"Publishers Weekly"
獲得2004年英國布剋獎的作者Alan Hollinghurst而言,今年50歲的他是大獲全勝的一年。他的作品大都是以男同誌的小說為主,卻又帶點Henery James的簡潔風格。
這本1995年發錶的小說作品《The Folding Star》也不例外,故事主角是一位33歲的語言學老師Edward Manners,情不自禁的愛上瞭他年僅17歲的學生Luc Altidore,迷戀與渴望讓Edward Manners不停的窺視並追蹤Luc的一舉一動。
Alan Hollinghurst對於性、愛與美的主題,作瞭最真實且大膽的處理。
书前头的评介写的是:“读者们可以把这本书当成迷你版的《追忆似水年华》,加长版的《死于威尼斯》,同性恋版的《洛丽塔》”。啧啧。不用说还有那肖似亨利詹姆斯的文笔。但是不知怎么,越读越觉得写法上影影绰绰——是简奥斯丁的影子。那种对人物关系的揭示与掩饰,通过对话与...
評分看了一年没看完,原来是不舍得看,现在是书蔓延到生活里来,越看越难过。年轻时看荣格,现在倒回来看这种沉溺绝望之书,真是倒行逆施,总之我老人家看得很痛苦,也不知道什么时候才能看完。
評分看了一年没看完,原来是不舍得看,现在是书蔓延到生活里来,越看越难过。年轻时看荣格,现在倒回来看这种沉溺绝望之书,真是倒行逆施,总之我老人家看得很痛苦,也不知道什么时候才能看完。
評分看了一年没看完,原来是不舍得看,现在是书蔓延到生活里来,越看越难过。年轻时看荣格,现在倒回来看这种沉溺绝望之书,真是倒行逆施,总之我老人家看得很痛苦,也不知道什么时候才能看完。
評分书前头的评介写的是:“读者们可以把这本书当成迷你版的《追忆似水年华》,加长版的《死于威尼斯》,同性恋版的《洛丽塔》”。啧啧。不用说还有那肖似亨利詹姆斯的文笔。但是不知怎么,越读越觉得写法上影影绰绰——是简奥斯丁的影子。那种对人物关系的揭示与掩饰,通过对话与...
這部作品成功地營造瞭一種令人窒息的、近乎古典悲劇的美學氛圍,盡管故事的背景設定可能非常現代或奇特,但那種宿命般的無可逃避感,卻有著強烈的曆史厚重感。我感受到瞭作者對文學傳統的深深敬意,其中不乏對某些經典文學橋段的緻敬與顛覆,但這種藉鑒絕非簡單的模仿,而是被徹底內化並重塑,形成瞭自己獨特的聲調。最讓我印象深刻的是環境描寫,它不僅僅是故事發生的場所,它本身就是一種有生命力的角色,它會呼吸、會審視人物,甚至會主動乾預情節的發展。例如,城市中那永恒彌漫的霧氣,不僅僅是天氣現象,它象徵著遮蔽、謊言和被遺忘的曆史。閱讀過程中,我時常需要停下來,不是因為疲憊,而是因為被某個句子中的情感張力所震懾,需要時間來平復內心的波瀾。這本書對於“權力結構”的批判,也是入木三分,它揭示瞭在龐大體係麵前,個體如何被異化、被工具化,以及那些看似微不足道的反抗是如何醞釀成最終的火山爆發。
评分老實說,這本書的閱讀體驗,與其說是在“讀”故事,不如說是在“解碼”一個精密的時代密碼。它的結構之宏大,布局之精巧,簡直令人嘆為觀止。我特彆欣賞作者在時間軸處理上的大膽創新,過去、現在和那些尚未發生的可能性,被巧妙地交織在一起,形成瞭一種奇特的“復古未來感”。每次翻頁都像是在掀開一層新的帷幕,暴露齣的真相往往比前一個場景更加令人不安。作品中對“記憶的不可靠性”這一主題的反復叩問,尤其擊中瞭我。小說中的角色們似乎都在與自己記憶中的幽靈搏鬥,他們所堅信的現實,在旁觀者(也就是我們讀者)看來,可能不過是精心構建的幻覺。這種敘事上的不確定性,使得每一次試圖得齣最終結論的努力都成瞭徒勞,它迫使你接受一個核心觀點:某些真相,也許根本就不存在,或者說,真相本身就是流動的、主觀的。文字的密度極高,幾乎沒有一句廢話,每一個形容詞、每一個動詞都肩負著構建世界觀的重任,這使得閱讀速度不得不放慢,仿佛需要用更長的時間來吸收和消化其中的信息量。
评分這本書的想象力是狂野而又精準的,它構建瞭一個邏輯自洽的、但又完全超越現實的宏大世界觀。我幾乎可以嗅到那些奇異的材料的氣味,感受到那些非人類生物體錶皮的質感,這得益於作者那極具畫麵感的文字功底。它毫不吝嗇地運用瞭大量的、自創的或經過重構的術語和概念,這在初期會帶來一定的閱讀門檻,但一旦適應瞭這種獨特的詞匯體係,便會發現其內部蘊含的巨大信息密度和美感。這種“沉浸式學習”的過程,本身就是一種獨特的享受。情節的張力並非主要來自外部的衝突,更多的是源於人物內心對於信仰、責任與自我身份認同的深刻拷問。我尤其欣賞作者在處理高潮部分時的剋製,沒有陷入俗套的戲劇化宣泄,而是選擇瞭一種更加內斂、更具迴味悠長的錶達方式,讓讀者自行去消化那份巨大的情感衝擊。讀完後,我發現自己開始用一種全新的視角去觀察我們自己所處的現實,仿佛那層覆蓋在世界錶麵的“熟悉感”薄膜,已經被這部作品揭開瞭一角。
评分這部作品的敘事之網,密不透風,將我完全籠罩其中,讀完之後,仿佛經曆瞭一場漫長而又迷離的夢境,醒來時世界已然不同。作者對細節的捕捉達到瞭令人發指的程度,無論是古老建築牆壁上苔蘚的顔色,還是角色內心深處那難以言喻的恐懼與渴望,都被描摹得絲絲入扣,觸手可及。故事情節並非那種綫性推進的直白敘事,它更像是一個復雜的迷宮,充滿瞭岔路、迴聲和重復的主題。我不得不一遍又一遍地迴溯前文,試圖理清那些看似毫不相關的綫索是如何在最終匯聚成一股洪流,衝擊讀者的認知。其中對於社會階層差異的探討,尤其深刻而殘酷,它不僅僅是背景的渲染,更是驅動人物命運走嚮的核心動力。人物的塑造是極其立體和矛盾的,沒有絕對的好人或壞蛋,每個人都在自己編織的道德睏境中掙紮前行,他們的選擇往往是基於一種近乎宿命的無奈,而非簡單的善惡傾嚮。這本書的語言風格多變,有時優雅得如同古典樂章,充滿著豐富的意象和隱喻;有時又變得尖銳、粗礪,像砂紙打磨著讀者的神經。它需要的不僅僅是閱讀,更是一種沉浸式的、主動的參與,去填補那些被刻意留下的空白,去感受字裏行間湧動的情緒暗流。
评分這部小說的節奏感掌握得爐火純青,它知道何時該疾馳,何時該低吟。開篇或許帶著一絲疏離和冷漠,像是在遙遠的星係之外俯瞰一個陌生的文明,但隨著故事的深入,情感的閘門逐漸被打開,那種壓抑已久的人性光輝與黑暗,開始以令人心悸的方式爆發齣來。我特彆喜歡作者處理“次要人物”的方式,他們雖然戲份不多,卻個個栩栩如生,他們的存在,如同精密機械中的齒輪,雖小卻不可或缺,推動著整個敘事機器的運轉。其中關於“異鄉人”或“局外人”的描繪,尤其觸動我,這種身份的模糊和不被接納感,在小說中被賦予瞭近乎神性的洞察力,似乎隻有那些不屬於任何陣營的人,纔能看清全局。這本書的魅力,很大程度上源於它拒絕提供簡單的答案,它更熱衷於提齣更深刻、更令人不安的問題。它挑戰瞭我們對於“真實”的定義,迫使我們重新審視日常生活中習以為常的設定和規範,是一次對思維疆界的有力拓展。
评分讀前四十頁時有種想扔掉的衝動,但適應瞭作者過於華麗的語言和過分的細節描寫後就漸入佳境,讀到最後一個部分時都捨不得停下。欲望的狂潮吞噬一切時,美也隻是夜空中folding star那可望卻永不可及的微光而已。
评分傷心
评分讀這本書活像生一場病。掩捲,我想我終究是幸運的,遲鈍和冷漠也許不是原罪,而是老天爺給我的護身符。
评分讀前四十頁時有種想扔掉的衝動,但適應瞭作者過於華麗的語言和過分的細節描寫後就漸入佳境,讀到最後一個部分時都捨不得停下。欲望的狂潮吞噬一切時,美也隻是夜空中folding star那可望卻永不可及的微光而已。
评分傷心
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