Cinema 1 pdf epub mobi txt 电子书下载 2025

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Gilles Deleuze

Univ Of Minnesota Press

1986-10-1

264

USD 20.00

Paperback

9780816614004

图书标签: deleuze 电影理论电影法国 Deleuze Cinema 哲学德勒兹

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发表于2025-02-02

Cinema 1 epub 下载 mobi 下载 pdf 下载 txt 电子书下载 2025

Cinema 1 pdf epub mobi txt 电子书下载 2025

图书描述

First published in France in 1983, this is at once a revolutionary work in philosophy and a book about cinema. For Deleuze, philosophy cannot be a reflection of something else; philosophical concepts are, rather, the images of thought, to be understood on their own terms. Here he puts this view of philosophy to work in understanding the concepts-or images-of film. Cinema, to Deleuze, is not a language that requires probing and interpretation, a search for hidden meanings; it can be understood directly, as a composition of images and signs, pre-verbal in nature. Thus he offers a powerful alternative to the psychoanalytic and semiological approaches that have dominated film studies.

Drawing upon Henri Bergson's thesis on perception and C. S. Peirce's classification of images and signs, Deleuze is able to put forth a new theory and taxonomy of the image, which he then applies to concrete examples from the work of a diverse group of filmmakers—Griffith, Eisenstein, Pasolini, Rohmer, Bresson, Dreyer, Stroheim, Buñuel, and many others. Because he finds movement to be the primary characteristic of cinema in the first half of the twentieth century, he devotes this first volume to that aspect of film. In the years since World War II, time has come to dominate film; that shift, and the signs and images associated with it, are addressed in Cinema 2: The Time-Image.

"The appearance of [this book] is an exciting event for film study and one that well deserves serious attention and commentary." —Film Quarterly

Cinema 1 下载 mobi epub pdf txt 电子书

著者简介

吉尔·德勒兹，法国后现代主义哲学家，生于巴黎，曾任教于索邦大学及梵森大学。思想影响后世甚广，范围包括哲学、政治、心理分析及哲学等。著有《差异与重复》、《什么是哲学》和《千重台》等书。

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用户评价

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现在才看懂

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[Movement-Image] 读过的最好的电影理论书（它带来的电影研究哲学turn直到今天没有turn到其他地方去），总是说到我的心坎里，这几天对这本书真的是爱不释手手不释卷～从某种角度来说是和吉迪翁的《时间、空间与建筑》一个伟大法：有全景有细节有条理，但不至于super organized的压迫感，所有内容都是fresh observation和自己的总结，把广阔的材料内化到自己的世界再娓娓道来，从容不迫字字珠玑还很幽默。而且以我现在的电影观影量和阅读量的储备正是刚好跟得上Deleuze的节奏，嗯。

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理论好用，但在那之前得先弄懂他到底在讲啥

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fuck yeah

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二刷

读后感

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之前短评已述，发现120页之前的译文与英译本有数多龃龉之处。但都没有120页来的集中和严重（因此页为德辽兹运动观的核心之一）事實上，我們已經談到了影像=運動的世界展現，……(黄译本,p119) We find ourselves in fact faced with the exposition of a world where IMAGE=M...

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