Orhan Pamuk's Museum of Innocence in Istanbul is the culmination of decades of omnivorous collecting that seeks to capture the city of Pamuk's youth through everyday objects: The ephemera, bric-a-brac, and clutter that adheres to every life. These particular objects are intimately tied to The Museum of Innocence, Pamuk's novel of lost love, which lends its narrative structure to their arrangement in the museum. Eighty beautifully designed vitrines, or boxes, carry the visitor along the arc of the story, on a journey through time and space as well as into the mind of the collector himself, ambiguously identified with both Pamuk and his novel's lovelorn narrator. The Innocence of Objects, Pamuk's catalogue of his museum, explores the many meanings of this remarkable project. While it offers a rich visual guide to the exhibitions, it also allows Pamuk to write about things that matter deeply to him, including the psychology of the collector, the proper role of the museum, the uses of photography in modernising societies (illustrated with Pamuk's superb collection of haunting photographs and movie stills of old Istanbul) and of course the customs and traditions of his beloved Istanbul. The book's imagery is equally evocative, ranging from the pop ephemera that has become "collectible" throughout the chronically nostalgic developed world to the superb photographs of Turkish photographer Ara Guler. Combining compelling art and writing, The Innocence of Objects is an original work that will appeal to readers with a wide range of interests.
具體描述
讀後感
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用戶評價
個體戶博物館究極體
评分看看
评分驚訝Pamuk竟然有如此強烈的亞洲人認同/ 博物館display也太太太太可愛瞭 (can't feel the necessity of the novel
评分不算喜歡帕慕剋，更不喜歡《純真博物館》的小說本身，但無疑，這個博物館計劃和其宣言的確是這個年代其中一個最舉足輕重的事。
评分Pamuk打造的展示櫃都特彆有surrealism的感覺。讀瞭這個catalogue纔知道原來他寫那本《純真博物館》的書和收集物件二者是同時進行的。這簡直就是個漫長的行為藝術作品啊。。。
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