W.G. Sebald is one of very few German writers of the last few decades to have attracted both a broad readership in the UK and an international following of journalists and scholars alike. He has proved a huge inspiration not just to younger writers but also to artists and photographers fascinated by the use of imagery and images in his work. His books include The Emigrants, The Rings of Saturn and After Nature.
In 1939, five-year-old Jacques Austerlitz is sent to England on a Kindertransport and placed with foster parents. This childless couple promptly erase from the boy all knowledge of his identity and he grows up ignorant of his past. Later in life, after a career as an architectural historian, Austerlitz - having avoided all clues that might point to his origin - finds the past returning to haunt him and he is forced to explore what happened fifty years before.
奥斯特利茨——这一被用于多重命名的词汇,既在话语不断被“我”转述的叙述者参与对自己的命名中被使用,又在此过程中作为其为之热烈而欣喜的,对拿破仑的功名伟业附着于失而复得之姓名的知识性语汇。“命名”的行为只是小说中诸多知识性阐述的一小部分,却以姓名作为身份符号...
评分不仅有缠绕的长句,还能让你尽享写作不分段的乐趣(折磨),这就是《奥斯特里茨》给人的最初印象。 自模糊的童年开始,奥斯特里茨一直都是一个被动的存在,主体性在他这里是晦暗不明的,懒懒散散地等待被照亮。面对理性的崩溃和自我的迷失,对奥斯特里茨来说,寻找“现实”,...
评分奥斯特利茨——这一被用于多重命名的词汇,既在话语不断被“我”转述的叙述者参与对自己的命名中被使用,又在此过程中作为其为之热烈而欣喜的,对拿破仑的功名伟业附着于失而复得之姓名的知识性语汇。“命名”的行为只是小说中诸多知识性阐述的一小部分,却以姓名作为身份符号...
Posmemory.
评分谢谢Sebald陪我在德国的河流、街道和公路间穿梭。有关各种隐喻或实体的档案里的鬼魂与梦游。
评分老泽绝对是德语文坛当之无愧的大师。
评分W. G. Sebald has a charm from which you cannot get away once you read his seemingly plain but deeply poetic and intoxicating words. The book is not merely about an individual who seeks his own past but also about a continent which attempts to face its own darkest period.
评分写得太散了,近乎于流水账,作者的意图和风格可以理解,但实在不是很好的阅读体验。如果这样也能算是好的小说,那把日记装订起来也是小说了。
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