目 錄
鈔本時代的經典問題研究（代序）···············劉躍進1
上·理論篇
有關唐前文獻研究的幾個理論問題················劉躍進3
一、從口傳文獻到寫本文獻······················4
二、從鈔本文獻到定本文獻·····················15
三、從定本文獻到經典文獻····················22
四、研究鈔本時代經典文獻的基本途徑···············24
問題·方法·範式——古代文學現代性轉化的思考········孫少華29
一、開放與融閤·························29
二、文本與方法·························30
三、“深意存焉”與學術創新···················32
四、新傳統、新經典、新範式與學術話語權·············34
文學的故事：被發現和重建的傳統···············徐建委37
“通變”：審視先唐文體遞延脈絡的重要視角·········羅劍波43
“五朝遺緒”與“大夏龍雀”
——唐及先唐“文學”研究趨勢之姑妄言···········童嶺48
一、復須時熟···························48
二、五朝遺緒···························51
三、大夏龍雀···························53
四、文史硃然···························54
文獻重構與文本本位
——探問六朝文學與文獻綜閤研究的可能性··········林曉光57
一、文獻學如何成為文學——在輯佚校訂範式之外··········57
二、史學觀念與曆史書寫——當文學遭遇史學·············59
三、史料庫意義上的“作品”——以文本為基點的文學研究·······63
基於文本復雜生成過程的先唐文獻研究
——以《漢書·五行誌》為例·············程蘇東68
一、《漢書·五行誌》中的“層纍”與裂痕············68
二、先唐文獻生成過程的復雜性··················72
三、方法論的迴應························73
下·個案篇：
鈔本時代的文本抄寫、流傳與文學寫作觀念··········孫少華81
一、“傳寫”、“抄寫”與文本流傳·················82
二、鈔本時代的文本變化與中古文學的寫作觀念···········88
三、刻本文字變化與鈔本時代文學傳統的一緻性···········95
四、鈔本時代文本的“公共資源性”問題及其文獻學認識········98
《詩》的編次與《毛詩》的形成···············徐建委105
引言：問題的提齣························105
一、《毛傳》與《爾雅·釋訓》之關係···············107
二、三傢《詩》、《毛詩序》中的《小雅》詩次問題··········112
三、《春鞦》學的自我建構：《詩》與《春鞦》意義關聯的形成·····118
四、《春鞦》視域：季劄論《詩》與大、小《雅》的對調········120
五、從禮樂編次到《春鞦》編次··················124
六、結論·····························128
文本嫁接：《春鞦繁露》所見“五行”諸篇成書過程新證·····程蘇東130
一、學術史的迴顧與方法論反思··················131
二、問題的提齣：《五行順逆》與劉嚮《洪範五行傳論》的互見關係···137
三、《順逆》篇與《相生》《相勝》的關係問題············143
四、古本《治順五行》與《五行順逆》之關··············148
五、《五行五事》篇的真僞及其思想·················151
六、從《孝經解》到《五行對》與《五行之義》············157
七、結語····························160
漢帝國的曆史書寫與文本權力
——政治文化視野中的《漢書》文本之形成·········陳 君164
一、經傳漢事：《漢書》文本的形成················165
二、共識與共謀：作為王朝史學的《漢書》·············170
三、周漢一脈：西漢王朝的曆史定位················174
四、“雙軌製”：兩漢曆史的銜接問題················178
五、自由與秩序：中國史學傳統中的兩種力量·············183
明清所編總集造成的漢魏六朝文本變異
——拼接插入的處理手法及其方法論反省·········林曉光189
一、不同段落的拼閤·······················193
二、零散片段的插入·······················203
三、拼接與插入的復閤狀態····················208
四、關於中世文學文獻形態與生成機製的省思············212
十六國霸史文獻的新發現與新考證···············童 嶺217
一、引言···························217
二、“新”發現之十六國文獻···················221
三、唐長孺標點中華本《晉書·載記》···············227
四、汲古書院和刻《晉書載記》漢趙部校證··············230
五、結語·····························249
馮紹祖校刊《楚辭章句》考論················羅劍波252
一、馮本産生背景與馮紹祖對前世《楚辭》注本的認識········253
二、馮紹祖的評點觀念與馮本之評點················261
三、馮本價值及其對後世評點本的影響················271
論文集作者學術簡介························276
部分文章原載雜誌一覽錶······················279
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