In this companion volume to John van Maanen's "Tales of the Field", three scholars reveal how the ethnographer turns direct experience and observation into written fieldnotes upon which an ethnography is based. Drawing on years of teaching and field research experience, the authors develop a series of guidelines, suggestions and practical advice about how to write useful fieldnotes in a variety of settings, both cultural and institutional. Using actual, unfinished "working" notes as examples, they illustrate options for composing, reviewing and working fieldnotes into finished texts. They discuss different organizational and descriptive strategies, including evocation of sensory detail, synthesis of complete scenes, the value of partial versus omniscient perspectives and of first-person versus third-person accounts. Of particular interest is the authors' discussion of notetaking as a mindset. They show how transforming direct observations into vivid descriptions results not simply from good memory but more crucially from learning to envision scenes as written. A good ethnographer, they argue, must learn to remember dialogue and movement like an actor, to see colours and shapes like a painter, and to sense moods and rhythms like a poet. The authors also emphasize the ethnographer's core interest in presenting the perceptions and meanings which the people studied attach to their own actions. They demonstrate the subtle ways that writers can make the voices of people heard in the texts they produce. Finally, they analyze the "processing" of fieldnotes - the practice of coding notes to identify themes and methods for selecting and weaving together fieldnote excerpts to write a polished ethnography. This book, however, is more than a "how-to" manual. The authors examine writing fieldnotes as an interactive and interpretive process in which the researcher's own commitments and relationships with those in the field inevitably shape the character and content of those fieldnotes. They explore the conscious and unconscious writing choices that produce fieldnote accounts. And they show how the character and content of these fieldnotes inevitably influence the arguments and analyses the ethnographer can make in the final ethnographic tale. This book shows that note-taking is a craft that can be taught. Along with "Tales of the Field" and George Marcus and Michael Fisher's "Anthropology as Cultural Criticism", "Writing Ethnographic Fieldnotes" should provide an essential tool for students and social scientists alike.
【1】田野调查入门参考 【2】客观性,真实性,微观真实与宏观真实…诸多理念让人想到的是新闻专业主义与采写规范。但其实践技术与方法在这本书里得到呈现。 本来应该是新闻系基础的知识,却在新闻系师生默契地指认新闻学科的学院教育与新闻实务绝缘之后,把培养基础知识的责任...
评分 评分【1】田野调查入门参考 【2】客观性,真实性,微观真实与宏观真实…诸多理念让人想到的是新闻专业主义与采写规范。但其实践技术与方法在这本书里得到呈现。 本来应该是新闻系基础的知识,却在新闻系师生默契地指认新闻学科的学院教育与新闻实务绝缘之后,把培养基础知识的责任...
评分田野的灌木层是人类的巢穴。这样说,是因为田野调查的阡陌上,有些灵魂蜿蜒而行,穿越泥沼与灰暗,寻证生命的尊严与价值,更是为文明挽留基本的风度与自信。 尽管大多数时候,人类学家以科学家自居,但不可否认的是,每个人类学家与他们的研究对象都是活生生的个人,各种感受的...
评分田野的灌木层是人类的巢穴。这样说,是因为田野调查的阡陌上,有些灵魂蜿蜒而行,穿越泥沼与灰暗,寻证生命的尊严与价值,更是为文明挽留基本的风度与自信。 尽管大多数时候,人类学家以科学家自居,但不可否认的是,每个人类学家与他们的研究对象都是活生生的个人,各种感受的...
看了一章
评分7 chapter
评分非常细致的民族志操作方法讨论。
评分写fieldnotes还是有不少门道的。发现Emerson是校友,竟然还是做deviance的,可惜退休了
评分写fieldnotes还是有不少门道的。发现Emerson是校友,竟然还是做deviance的,可惜退休了
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