Elena Ferrante is the author of seven novels, including four New York Times bestsellers; The Beach at Night, an illustrated book for children; and, Frantumaglia, a collection of letters, literary essays, and interviews. Her fiction has been translated into over forty languages and been shortlisted for the MAN Booker International Prize. In 2016 she was named one of TIME's most influential people of the year and the New York Times has described her as "one of the great novelists of our time." Ferrante was born in Naples.
Soon to be an HBO series, book four in the New York Times bestselling Neapolitan quartet about two friends in post-war Italy is a rich, intense, and generous-hearted epic by one of today's most beloved and acclaimed writers, Elena Ferrante, “one of the great novelists of our time.” (Roxana Robinson, The New York Times)
Here is the dazzling saga of two women, the brilliant, bookish Elena and the fiery uncontainable Lila. In this book, life’s great discoveries have been made, its vagaries and losses have been suffered. Through it all, the women’s friendship, examined in its every detail over the course of four books, remains the gravitational center of their lives. Both women once fought to escape the neighborhood in which they grew up. Elena married, moved to Florence, started a family, and published several well-received books. But now, she has returned to Naples to be with the man she has always loved. Lila, on the other hand, never succeeded in freeing herself from Naples. She has become a successful entrepreneur, but her success draws her into closer proximity with the nepotism, chauvinism, and criminal violence that infect her neighborhood. Yet somehow this proximity to a world she has always rejected only brings her role as unacknowledged leader of that world into relief.
Ferrante is one of the world’s great storytellers. With the Neapolitan quartet she has given her readers an abundant, generous, and masterfully plotted page-turner that is also a stylish work of literary fiction destined to delight readers for many generations to come.
不知道你有没有这样的感觉,读了印象深刻的书,不吐不快,但是又觉得吐不出什么,无法精准地用文字表达自己的感受。再看看别人飞扬的文字,生动有趣又打动人,很是自惭形秽。最近读完的这套那不勒斯系列,就是处于不吐不快又吐不出的难受。还是试图写点儿什么,莫辜负了读书时...
評分 評分当我发现, 毒品生意是Mariarosa和Nino从罗马带入那不勒斯的时候,我很震惊. 我一直在给我妈讲这个故事, 当我讲到Mariarosa的共产主义分子寄居地, 我妈就不爱听, 说这个故事太糟糕了,三观不正. 我表示这非常正常啊,就跟美国的嬉皮士一样, 我妈表示文化冲击太大,接受不了. 当我从...
那不勒斯四部麯的最後一部,步入老年生活後節奏開始慢下來瞭,作品裏有太多未解之謎,Lila這個角色固有她天纔之處,但我覺得很大一部分都來源於Lenu自己的臆想和猜測。以及這部作品讓我對那不勒斯這座城市簡直入迷瞭。20h51m
评分今年國際布剋獎短名單的六本書之一。這是我讀的六本中的最後一本,對我個人來說,沒有其他的五本好。行文很流暢,細膩,結閤著那不勒斯的城市發展⋯⋯故事圍繞幾個傢庭間的糾紛,兩個女人在婚姻和愛情裡的糾纏⋯⋯有點拖遝,但整體來說是挺好的,有它的魅力的。
评分這個係列實在看得太久。尤其最後一本,細膩得拖遝瞭。
评分那不勒斯係列不隻是兩個女人一生的故事。它記載瞭一個城市,一個國傢,乃至整個世界半世紀的風雨。
评分看到第四本已經對三位主角很厭倦瞭,各種情節反轉也沒有給三人增加一點深度。Elena和Nino本質是一種人,Nino對她緻命的吸引力是因為身為男性,Nino在新自/精利的道路上更加如魚得水,有意思的是Elena的父親是市政廳門房,Nino父親是火車檢票員,同屬於基層官僚、對權力體係看得見但摸不著,也是階層躍遷動力最大的階層。而Lila的父親是鞋匠,還保有對手藝、對傳承的一份尊重,所以是Lila和木匠的兒子Pasquale最有曆史觀,從小就總嚷嚷著要瞭解事情的來龍去脈。而這兩位那不勒斯手工藝人後代的慘淡謝幕也是對意大利乃至整個世界在過去大半個世紀中的變遷的一個隱喻。讓我最終對Lila厭倦的是她對Elena和Nino的迷戀,she should have cared less。
本站所有內容均為互聯網搜索引擎提供的公開搜索信息,本站不存儲任何數據與內容,任何內容與數據均與本站無關,如有需要請聯繫相關搜索引擎包括但不限於百度,google,bing,sogou 等
© 2025 qciss.net All Rights Reserved. 小哈圖書下載中心 版权所有