Grande Sertão: Veredas (Portuguese for "Big Backcountry: Tracks"; English translation: The Devil to Pay in the Backlands) is an influential novel published in 1956 by the Brazilian writer João Guimarães Rosa.
The original title refers to the veredas - small paths of wetlands usually located at higher altitudes carachterized by the presence of grasses and buritizais, groups of the buriti palm-tree (Mauritia flexuosa)[1], that criss-cross the Sertão region in northern Minas Gerais, Southeast Brazil - as a labyrinthine net where an outsider can easily get lost, and where there is no single way to a certain place, since all paths interconnect in such a way that any road can lead anywhere. The English title refers to a later episode in the book involving an attempt to make a deal with the devil. Most of the book's spirit is however lost in translation, as the Portuguese original is written in a register that is both archaic and colloquial, making it a very difficult book to translate. The combination of its size, linguistic oddness and polemic themes caused a shock when it was published, but now it is considered one of the most important novels of South American literature. In a 2002 poll of 100 noted writers conducted by Norwegian Book Clubs, the book was named among the top 100 books of all time.
Grande Sertão: Veredas is the complex story of Riobaldo, a former jagunço (mercenary or bandit) of the poor and steppe-like inland of the Rio São Francisco, known as Sertão, of the state of Minas Gerais in the dawn of 20th century. Now an old man and a rancher, Riobaldo tells his long story to an anonymous and silent listener coming from the city.
Riobaldo is born into a middle-class family and, unlike most of his contemporaries, receives an education. This enables him to begin his career as a tutor to a prominent local rancher, Ze Bebelo, and he watches as Ze Bebelo raises an army of his own jagunços to stamp out several of the local bandit gangs. Instead, for reasons that are never fully clear—apparently a desire for adventure—he disappears from the ranch and defects to the side of the bandits under the leadership of Joca Ramiro. Due to his excellent aim, Riobaldo becomes a valued member of the band and begins to rise in stature. In the course of the events Riobaldo gets acquainted with Reinaldo, whom he calls Diadorim, a young, pleasant and ambivalent fellow jagunço. The two starts a profound and subtly homoerotic friendship. Throughout the book it is hinted that Diadorim is Joca Ramiro's nephew or illegitimate son.
Ramiro's men defeat and capture Ze Bebelo, but after a short trial, Bebelo is released. The war is temporarily over, but news later comes that two of Ramiro's lieutenants, Ricardão and Hermogenes, have betrayed and murdered him. As a result, the victorious army splits in two, Riobaldo staying with the current leader, Medeiro Vaz. When Vaz dies of illness, Ze Bebelo returns from exile and takes ownership of the band (this is actually where the book begins; the previous part is told in a very lengthy retrospective). They survive a lengthy siege by Hermogenes' men, but Ze Bebelo loses the taste for fighting, and the band is idled for nearly a month in a plague-ridden village. When this happens, Riobaldo mounts a challenge and takes command of the band, sending Ze Bebelo away.
Riobaldo, who has mused on the nature of the devil intermittently since the beginning of the book, tries to make a pact with the devil. He goes to a crossroads at midnight, but is uncertain as to whether the deal has been made or not, and he remains unsure for the rest of the story. He leads his band across a hostile desert and successfully ambushes and destroys Ricardão's men and kills Ricardão. He then moves against Hermogenes but is surprised; with difficulty and heavy casualties, his army defeats Hermogenes. The climax of the book is a knife-fight between the two opposing armies. In the fight, Diadorim kills Hermogenes, but is in turn killed.
When Diadorim's body is washed, Riobaldo discovers that Diadorim is in fact a woman, and the mystery of their love is cleared up. Riobaldo resigns command of the jagunços and settles down to a more conventional life.
The book is written in one long section, with no section or chapter breaks.
João Guimarães Rosa (27 June 1908 - 19 November 1967) was a Brazilian novelist, considered by many to be one of the greatest Brazilian novelists born in the 20th century. His best-known work is the novel Grande Sertão: Veredas (translated as The Devil to Pay in the Backlands). Some people consider this to be the Brazilian equivalent of Ulysses
從技術角度來看,這本書的結構設計非常巧妙。作者嫻熟地運用瞭多重視角敘事,不同的敘事者帶來瞭截然不同的信息碎片,拼湊齣一個完整的、但又帶著主觀色彩的宏大圖景。這種敘事技巧使得故事充滿瞭懸念,你永遠不知道下一個轉摺會來自誰的視角,因此閱讀的期待感一直保持在高位。我特彆喜歡其中穿插的那些民間傳說和口述曆史片段,它們為緊張的主綫故事增添瞭一種古老而神秘的底蘊,讓整個世界觀更加豐滿立體。如果你喜歡那種需要動腦筋去梳理綫索,去拼湊真相的閱讀體驗,那麼這本書絕對不會讓你失望。它像一個精密的鍾錶,每一個齒輪都在完美地驅動著時間的流逝。
评分說實話,我原本以為這會是一部晦澀難懂的嚴肅文學,但它的敘事流暢度完全超齣瞭我的預期。作者的文字功底極其紮實,語言充滿瞭力量感,但又不失詩意。我最著迷的是它對社會結構和權力運作方式的解剖。那些隱藏在日常瑣事背後的博弈和算計,被揭示得淋灕盡緻。它不僅僅是一個關於個人命運的故事,更像是一麵鏡子,映照齣現實社會中那些潛規則和被忽視的角落。讀完後,我花瞭很長時間來消化那些情節的深層含義,那種被深刻觸動的感覺,促使我開始重新審視自己周圍的世界和人際關係。這是一部需要靜下心來,反復咀嚼纔能體會其精妙之處的作品,絕對不是那種讀完即忘的快餐讀物。
评分這本小說簡直是一部心靈的探險,作者構建的世界觀宏大而又細膩,讓人仿佛置身於那個充滿未知的蠻荒之地。故事的節奏把握得爐火純青,時而疾風驟雨般推進,時而又陷入沉思的沼澤,每一個轉摺都齣乎意料卻又在情理之中。我尤其欣賞作者對於人性復雜性的描摹,那些角色並非簡單的善惡符號,他們的掙紮、妥協和偶爾閃光的勇氣,都讓整個敘事充滿瞭張力。閱讀的過程就像是在攀登一座陡峭的山峰,每一步都伴隨著對更高處風景的渴望,最終登頂時的震撼和釋然,是久久無法散去的餘韻。書中的環境描寫,那些風沙、乾涸的土地和稀疏的植被,簡直像是可以直接觸摸到的質感,讓人深刻體會到生存的艱辛與堅韌。
评分這部作品帶給我的震撼,更多地來自於它的情感衝擊力。它沒有刻意去渲染煽情,但那些關於失去、背叛和無法挽迴的錯誤,卻像冰冷的匕首一樣刺入人心。我發現自己常常在閱讀某個段落時停下來,深深地吸一口氣,因為那種沉重感幾乎要將我壓垮。作者的剋製和精準,反而使得那些爆發的情感時刻更具穿透力。它不僅僅是講述瞭一個故事,它更像是一種對生命韌性的頌歌,即便身處最黑暗的境地,人依然有能力去愛,去反抗,去尋找一絲微弱的光亮。這是一部需要準備好情緒纔能去閱讀的書,但閱讀後的收獲,是任何廉價的安慰都無法比擬的。
评分我得承認,開頭那幾章我差點放棄,因為它拋齣瞭太多陌生的概念和人物關係,讀起來有點像在霧中行走。但是,一旦你堅持度過瞭那個“適應期”,接下來的體驗就像是打開瞭一扇通往奇幻領域的大門。作者的想象力簡直是天馬行空,那些構建齣來的風俗習慣和信仰體係,有著驚人的自洽性,讓人不得不佩服其構建世界的嚴謹。特彆是幾個主要人物的內心獨白,那種對自由的渴望與現實枷鎖的衝突,寫得極其到位,讓人感同身受,甚至會忍不住為他們的選擇扼腕嘆息。這本書的深度遠超其體量,它探討瞭存在的本質,以及在絕境中,人類精神如何維持其最後的火花。
评分英文版真心讀不下去,五年後學會葡語再讀。。。
评分意識流作品,最後男變女真是猝不及防,然而還是個悲劇,消失的夥伴、愛情以及共同的迴憶。心疼Diadorim!(反對另一條短評,這書的英文翻譯很流暢)
评分那個五星的短評求求你不要劇透好不好?????
评分意識流作品,最後男變女真是猝不及防,然而還是個悲劇,消失的夥伴、愛情以及共同的迴憶。心疼Diadorim!(反對另一條短評,這書的英文翻譯很流暢)
评分意識流作品,最後男變女真是猝不及防,然而還是個悲劇,消失的夥伴、愛情以及共同的迴憶。心疼Diadorim!(反對另一條短評,這書的英文翻譯很流暢)
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