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出版者:Harvard University Press

作者:Siegfried Kracauer

出品人:

页数:416

译者:Thomas Y. Levin

出版时间:2005-6-30

价格:USD 45.50

装帧:Paperback

isbn号码:9780674551633

丛书系列:

图书标签:

文化研究
Siegfried_Kracauer
现代性
电影
德国
社会学
影人与电影理论
Politics-of-Affects-course

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Siegfried Kracauer was one of the 20th century's major cultural critics, a prolific scholar and a theorist of film. In this volume his writings on modern society are translated into English. This book is a celebration of the masses - their tastes, amusements, and everyday lives. Taking up themes of modernity, such as isolation and alienation, urban culture and the relation between the group and the individual, Kracauer explores a kaleidoscope of topics: shopping arcades; the cinema; bestsellers and their readers; photography; dance; hotel lobbies; Kafka; the Bible; and boredom. For Kracauer, the most revelatory facets of modern life in the West lie on the surface, in the ephemeral and the marginal. Of special fascination to him is the United States, where he eventually settled after fleeing Germany and whose culture he sees as defined almost exclusively by "the ostentatious display of surface". With these essays, written in the 1920s and early 1930s and edited by the author in 1963, Kracauer was the first to demonstrate that studying the everyday world of the masses can bring great rewards. This work remains a tribute to popular culture and its interdisciplinary essays continue to shed light not only on Kracauer's later work but also on ideas of the Frankfurt School, the genealogy of film theory and cultural studies, Weimar cultural politics, and the exigencies of intellectual exile. In his introduction, Thomas Levin situates Kracauer in a turbulent age, illuminates the forces that influenced him - including his friendships with Walter Benjamin, Theodor Adorno, and other Weimar intellectuals - and provides the context necessary for understanding his ideas.

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1.两个24岁姑娘的照片 film diva的照片：是活着的，有魔力的，是当下的，每个人都可以认出来祖母的照片：祖母的所有同龄人contemporaries都过世了，仅仅是照片不足以reconstruct祖母，没有什么可以绝对证明这是祖母的照片，会不会是一个很像祖母的朋友？不属于我们的时代，smi...

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Tilly Girls盛行的年代里，想想出现在差不多同一时期的Mary Wigman之类的表现主义舞者，就觉得魏玛共和国真的是个谜一样的时代了（以及柏林真的是20世纪的世界首都啊）。

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Adorno曾批评Kracauer对物性的迷恋too naive，然而在对魏玛时代大众文化的分析中，Kracauer却表现出了其犹疑而暧昧的一面：他在琐屑的娱乐形态中瞥见了现代性的生产机制，却并未草率地走向精英主义者的敌视批判或现代主义者的美学洁癖，而是以一种炼金术师的视角，在the political unconscious中洞见了时代隐秘的欲望与梦想。由此，distraction既是一种异化，也意味着剩余的溢出与实在的复归。只是作为报刊文章，行文有时过于纵横漫荡，思想也总是流露出保守与怀乡。

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