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The Chinese Vernacular Story (Patrick Hanan, 1981) Most of Feng Menglong’s writings were in Classical Chinese. What sets Feng apart from the great majority is that he wrote also in genres that required the vernacular: novels, stories, plays, and songs. Lit...
评分The Chinese Vernacular Story (Patrick Hanan, 1981) Most of Feng Menglong’s writings were in Classical Chinese. What sets Feng apart from the great majority is that he wrote also in genres that required the vernacular: novels, stories, plays, and songs. Lit...
评分The Chinese Vernacular Story (Patrick Hanan, 1981) Most of Feng Menglong’s writings were in Classical Chinese. What sets Feng apart from the great majority is that he wrote also in genres that required the vernacular: novels, stories, plays, and songs. Lit...
评分The Chinese Vernacular Story (Patrick Hanan, 1981) Most of Feng Menglong’s writings were in Classical Chinese. What sets Feng apart from the great majority is that he wrote also in genres that required the vernacular: novels, stories, plays, and songs. Lit...
评分The Chinese Vernacular Story (Patrick Hanan, 1981) Most of Feng Menglong’s writings were in Classical Chinese. What sets Feng apart from the great majority is that he wrote also in genres that required the vernacular: novels, stories, plays, and songs. Lit...
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介绍性
评分介绍性
评分是节译本，还要读英文本
评分这个封面有点丑
评分题为“白话小说”，但从内容看应为“话本小说”更为妥当。总体还是以西方叙事学的思路去考察中国小说，尤以第一章关于“文学分析的六大层次”的论述值得注意，即：说话者、焦点、谈话型、风格（又分为地方语言和通行语言）、意义（又分为系列、构造和解释）、语音。虽与中国叙事学的框架未必尽合，却也不失为一个独特的视角。对于文言小说与白话小说之差异这部分的论述也可参考。
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