The Road

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Cormac McCarthy is an American novelist and playwright. He has written ten novels in the Southern Gothic, western, and post-apocalyptic genres and has also written plays and screenplays. He received the Pulitzer Prize in 2007 for The Road, and his 2005 novel No Country for Old Men was adapted as a 2007 film of the same name, which won four Academy Awards, including Best Picture.

His earlier Blood Meridian (1985) was among Time Magazine's poll of 100 best English-language books published between 1925 and 2005 and he placed joint runner-up for a similar title in a poll taken in 2006 by The New York Times of the best American fiction published in the last 25 years. Literary critic Harold Bloom named him as one of the four major American novelists of his time, along with Thomas Pynchon, Don DeLillo, and Philip Roth. He is frequently compared by modern reviewers to William Faulkner.

In 2009, Cormac McCarthy won the PEN/Saul Bellow Award, a lifetime achievement award given by the PEN American Center.

出版者:Alfred A. Knopf
作者:McCarthy, Cormac
出品人:
页数:287
译者:
出版时间:2006-9-26
价格:USD$7.99
装帧:Mass Market Paperback
isbn号码:9780307386458
丛书系列:
图书标签:
  • 小说 
  • 普利策奖 
  • McCarthy 
  • 美国 
  • CormacMcCarthy 
  • 英文原版 
  • 生存 
  • 科马克·麦卡锡 
  •  
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A searing, postapocalyptic novel destined to become Cormac McCarthy’s masterpiece.

A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don’t know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food—and each other.

The Road is the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, “each the other’s world entire,” are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation.

具体描述

读后感

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近年来各种末日题材较为流行,从类似辐射3,美国末日,我还活着等游戏中呈现的焦土世界,到影视作品2012,waliking dead ,knowing还有颇具文艺范的忧郁症中,各种作品竭力让人对末日降临,世界毁灭保持旺盛的想象力,要让人们设想自己如何在各种末日场景中生存,回过头来想...  

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美国作家科马克•麦卡锡为人低调,离群索居。在鲜有的几次访谈中,他就像西部片里的硬汉一样,“我欣赏动荡不安、危机四伏的生活,没什么比在旅途中见到能置人于死地的动物更有趣了。”于是,路上生活成为麦卡锡的一种写作姿态,生死是他小说永远的主题,而危险与动荡的境地...  

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在 “后911”时代的今天,经济危机与恐怖袭击一再上演,末日恐慌隐伏于每个人的内心。这就像是一种黑暗,比阴霾更加浓冽、比黑色更加冷酷。而这黑暗恰恰正是美国作家科马克•麦卡锡的标志。从《边境三部曲》到《老无所依》,再到《路》,麦卡锡一路延续着某种似曾相识的荒凉...  

评分

评分

在 “后911”时代的今天,经济危机与恐怖袭击一再上演,末日恐慌隐伏于每个人的内心。这就像是一种黑暗,比阴霾更加浓冽、比黑色更加冷酷。而这黑暗恰恰正是美国作家科马克•麦卡锡的标志。从《边境三部曲》到《老无所依》,再到《路》,麦卡锡一路延续着某种似曾相识的荒凉...  

用户评价

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越看越绝望。

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可读性比较差,基本上没情节

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as black as the cover. depressed at the beginning, but it still cannot blacken love in the world.

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Why bother living in a world when you are alone? because you are carrying the fire.

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