圖書標籤: 符號學  艾柯  哲學  意大利  安伯托・艾柯  符號  Eco  Umberto_Eco   

喜歡 符號學理論 的讀者還喜歡

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圖書館館藉的，沒讀完就已到期，遺憾。

比起巴特的符號學艾柯的代碼理論與符號生産理論更能吸引我，這是一種將實用主義與解構主義綜閤起來的努力，這樣看來似乎符號有著明確的界限，而符號衍生的意義與源泉是無限的。不喜歡巴特是因為在他的精密文本麵前我就像粗俗之人，而在艾柯的文本裏，我好像看到瞭那個寫《傅科擺》的俏皮且淘氣的艾柯。

用拼音文字的人糾結的東西在用象形文字的人看來不值一提。

對圖像論的批判【218-248】

用拼音文字的人糾結的東西在用象形文字的人看來不值一提。

FROM WIKI: Umberto Eco (born 5 January 1932) is an Italian medievalist, semiotician, philosopher, literary critic and novelist, best known for his novel The Name of the Rose (Il nome della rosa, 1980), an intellectual mystery combining semiotics in fiction...

FROM WIKI: Umberto Eco (born 5 January 1932) is an Italian medievalist, semiotician, philosopher, literary critic and novelist, best known for his novel The Name of the Rose (Il nome della rosa, 1980), an intellectual mystery combining semiotics in fiction...

FROM WIKI: Umberto Eco (born 5 January 1932) is an Italian medievalist, semiotician, philosopher, literary critic and novelist, best known for his novel The Name of the Rose (Il nome della rosa, 1980), an intellectual mystery combining semiotics in fiction...

FROM WIKI: Umberto Eco (born 5 January 1932) is an Italian medievalist, semiotician, philosopher, literary critic and novelist, best known for his novel The Name of the Rose (Il nome della rosa, 1980), an intellectual mystery combining semiotics in fiction...

FROM WIKI: Umberto Eco (born 5 January 1932) is an Italian medievalist, semiotician, philosopher, literary critic and novelist, best known for his novel The Name of the Rose (Il nome della rosa, 1980), an intellectual mystery combining semiotics in fiction...