拉约什·埃格里(Lajos Egri,1888-1967)生于原奥匈帝国的埃格(今匈牙利境内),十岁就写出了一部三幕剧。1908年,埃格里移民美国。一战期间,他加入纽约的左派戏剧组织,成为导演和剧作家,后于20世纪30年代创立写作学校。埃格里同时也是一位新闻工作者,并曾撰写过电视剧本。
高远, 2004年毕业于北京电影学院,获硕士学位,现为专职编剧,作品有电视剧《大汉口》等。
Lajos Egri examines a play from the inside out, starting with the heart of any drama: its characters. For it is people - their private natures and their inter-relationships - that move a story and give it life. All good dramatic writing depends upon an understanding of human motives. Why do people act as they do? What forces transform a coward into a hero, a hero into a coward? What is it that Romeo does early in Shakespeare's play that makes his later suicide seem inevitable? Why must Nora leave her husband at the end of A Doll's House? These are a few of the fascinating problems which Egri analyzes. He shows how it is essential for the author to have a basic premise - a thesis, demonstrated in terms of human behaviour - and to develop his dramatic conflict on the basis of that behaviour. Premise, character, conflict: this is Egri's ABC. His book is a direct, jargon-free approach to the problem of achieving truth in a literary creation.
如今怀揣编剧理想的年轻人有若过江之鲫,于是市面上的编剧教程也便多如牛毛。此前出版的教程尽管各有各的参考价值,不过缺点也都非常明显:所选片目太多太杂,若非骨灰级西片影迷,很难参悟个中真谛。相形之下,这部《编剧的艺术》具备许多其他书籍所不具备的优势。 首先,它...
评分 评分 评分 评分我就喜欢这种作者说什么话都有理有据不瞎编的书。如果剧作,无论是戏剧,电影还是小说,只能推荐一本书的话,那我就推荐这本。挖到根里了。
评分三星半 有些观点过于武断和陈旧 但在当时那个年代算是很好的指导类书籍 学到了不少东西 但是书中给出的建议不能照单全收
评分三星半 有些观点过于武断和陈旧 但在当时那个年代算是很好的指导类书籍 学到了不少东西 但是书中给出的建议不能照单全收
评分对个人而言点出戏剧冲突核心所在的一本书。
评分方法都懂,依然写不出来Play writing的作业_( :3 」∠)_
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