The Devil in the White City

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Erik Larson, author of the international bestseller Isaac's Storm, was nominated for a National Book Award for The Devil in the White City, which also won an Edgar Award for fact-crime writing. His latest book, In the Garden of Beasts: Love Terror and an American Family in Hitler's Berlin, has been acquired for publication in 20 countries and optioned by Tom Hanks for a feature film. Erik is a former features writer for The Wall Street Journal and Time. His magazine stories have appeared in The New Yorker, The Atlantic Monthly, Harper's and other publications.

Larson has taught non-fiction writing at San Francisco State, the Johns Hopkins Writing Seminars, and the University of Oregon, and has spoken to audiences from coast to coast. He lives in Seattle with his wife, who is the director of neonatology at the University of Washington Medical Center and at Children's Hospital of Seattle, and the author of the nonfiction memoir, Almost Home, which, as Erik puts it, "could make a stone cry." They have three daughters in far-flung locations.

出版者:Vintage
作者:Erik Larson
出品人:
页数:447
译者:
出版时间:10 February, 2004
价格:$14.95
装帧:Paperback
isbn号码:9780375725609
丛书系列:
图书标签:
  • 芝加哥 
  • 历史 
  • 英文原版 
  • ErikLarson 
  • history 
  • 镀金时代 
  • nonfiction 
  • 小说 
  •  
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Erik Larson's gifts as a storyteller are magnificently displayed in this rich narrative of the master builder, the killer, and the great fair that obsessed them both.

Two men, each handsome and unusually adept at his chosen work, embodied an element of the great dynamic that characterized America's rush toward the twentieth century. The architect was Daniel Hudson Burnham, the fair's brilliant director of works and the builder of many of the country's most important structures, including the Flatiron Building in New York and Union Station in Washington, D.C. The murderer was Henry H. Holmes, a young doctor who, in a malign parody of the White City, built his "World's Fair Hotel" just west of the fairgrounds—a torture palace complete with dissection table, gas chamber, and 3,000-degree crematorium. Burnham overcame tremendous obstacles and tragedies as he organized the talents of Frederick Law Olmsted, Charles McKim, Louis Sullivan, and others to transform swampy Jackson Park into the White City, while Holmes used the attraction of the great fair and his own satanic charms to lure scores of young women to their deaths. What makes the story all the more chilling is that Holmes really lived, walking the grounds of that dream city by the lake.

The Devil in the White City draws the reader into a time of magic and majesty, made all the more appealing by a supporting cast of real-life characters, including Buffalo Bill, Theodore Dreiser, Susan B. Anthony, Thomas Edison, Archduke Francis Ferdinand, and others. In this book the smoke, romance, and mystery of the Gilded Age come alive as never before.

具体描述

读后感

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黄金实时代的白城恶魔 “在世间消失无踪,是多么容易。” 在岁月的长河里,一个人、一座宏伟的建筑能经历多少的风雨?而一个历史事件、一个人、一座建筑消逝在岁月里又是极其容易的一件事。岁月见证了那个时代历史的发展,在世界历史上不乏“黄金时代”的频繁出现,在那个我们...  

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本周有一条新鲜热辣的娱乐新闻,说迪卡普里奥要拍新片,饰演“美国史料记录的第一个系列杀人犯亨利•霍华德•贺姆斯医生”。这部电影是根据畅销书《The Devil in the White City》改编的,除了贺姆斯医生之外,另一个主角是著名的建筑师丹尼尔•哈德森•伯汉。一个是兴...  

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《黑客帝国》里,墨菲斯展开双手分别放着两颗药丸,红色和蓝色,他对尼奥说,红色知道真相但会很痛苦,蓝色会睡个好觉,第二天上班、下班,生活依旧。无疑,吞下红色会进入真实的世界,那么蓝色则是虚幻的世界,我常常无法理解什么样的生活才是真实的生活,就像《阿凡达》的主...  

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城市一直是作家笔下最钟爱的题材,并且作品不可避免地被镌刻上城市独特的色彩。相比起劳伦斯·布洛克笔下包容而多彩的纽约,我很好奇,埃里克·拉森笔下的芝加哥又是什么样子呢? 同样是关于犯罪的小说,《小城》偏重于每个人物的描述,而《白城恶魔》角度要宏大得多,作者采取...  

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城市一直是作家笔下最钟爱的题材,并且作品不可避免地被镌刻上城市独特的色彩。相比起劳伦斯·布洛克笔下包容而多彩的纽约,我很好奇,埃里克·拉森笔下的芝加哥又是什么样子呢? 同样是关于犯罪的小说,《小城》偏重于每个人物的描述,而《白城恶魔》角度要宏大得多,作者采取...  

用户评价

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engaging story of the time

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像小说一样流畅的历史加真实犯罪的书,怪不得会成为学校必读书目之一。我既喜欢又恨作者像织网那样把两个故事 - 一个宏伟,一个惊傈 - 穿插在一起。 -- 2009-6-1

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虽然连环杀手大概是更大的噱头,我倒更喜欢世博会的篇幅。Burnham当年碰到的各种困难,官僚主义,权力斗争,合伙人的意外死亡,芝加哥的恶劣的地质条件和天气,罢工,火灾,经济萧条等等等等,实在是让我对自己工作中碰到的问题汗颜。这么坚毅的Burnham,在给自己老婆写信的时候又呈现出完全不同的一面,各种倾诉相思之苦,实在是甜死啦

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对白城建造过程的描写可以说是巨细靡遗,后期收尾相比之下有点潦草了,以致于整本书最为胆战心惊悬念迭起的部分不在于Holmes的骇人罪行如何被揭露,变成了建筑师怎么在ddl前如期完工。

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故事展开实在是慢,大量的篇幅都围绕the white city在写,我要看的是the devil好不?!

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