Erik Larson, author of the international bestseller Isaac's Storm, was nominated for a National Book Award for The Devil in the White City, which also won an Edgar Award for fact-crime writing. His latest book, In the Garden of Beasts: Love Terror and an American Family in Hitler's Berlin, has been acquired for publication in 20 countries and optioned by Tom Hanks for a feature film. Erik is a former features writer for The Wall Street Journal and Time. His magazine stories have appeared in The New Yorker, The Atlantic Monthly, Harper's and other publications.
Larson has taught non-fiction writing at San Francisco State, the Johns Hopkins Writing Seminars, and the University of Oregon, and has spoken to audiences from coast to coast. He lives in Seattle with his wife, who is the director of neonatology at the University of Washington Medical Center and at Children's Hospital of Seattle, and the author of the nonfiction memoir, Almost Home, which, as Erik puts it, "could make a stone cry." They have three daughters in far-flung locations.
Erik Larson's gifts as a storyteller are magnificently displayed in this rich narrative of the master builder, the killer, and the great fair that obsessed them both.
Two men, each handsome and unusually adept at his chosen work, embodied an element of the great dynamic that characterized America's rush toward the twentieth century. The architect was Daniel Hudson Burnham, the fair's brilliant director of works and the builder of many of the country's most important structures, including the Flatiron Building in New York and Union Station in Washington, D.C. The murderer was Henry H. Holmes, a young doctor who, in a malign parody of the White City, built his "World's Fair Hotel" just west of the fairgrounds—a torture palace complete with dissection table, gas chamber, and 3,000-degree crematorium. Burnham overcame tremendous obstacles and tragedies as he organized the talents of Frederick Law Olmsted, Charles McKim, Louis Sullivan, and others to transform swampy Jackson Park into the White City, while Holmes used the attraction of the great fair and his own satanic charms to lure scores of young women to their deaths. What makes the story all the more chilling is that Holmes really lived, walking the grounds of that dream city by the lake.
The Devil in the White City draws the reader into a time of magic and majesty, made all the more appealing by a supporting cast of real-life characters, including Buffalo Bill, Theodore Dreiser, Susan B. Anthony, Thomas Edison, Archduke Francis Ferdinand, and others. In this book the smoke, romance, and mystery of the Gilded Age come alive as never before.
城市一直是作家笔下最钟爱的题材,并且作品不可避免地被镌刻上城市独特的色彩。相比起劳伦斯·布洛克笔下包容而多彩的纽约,我很好奇,埃里克·拉森笔下的芝加哥又是什么样子呢? 同样是关于犯罪的小说,《小城》偏重于每个人物的描述,而《白城恶魔》角度要宏大得多,作者采取...
评分宏大叙事背景下的光明与黑暗 ——读美国作家埃里克·拉森《白城恶魔》 《白城恶魔》是美国作家埃里克·拉森所著的非虚构纪实小说。全书有着历史学的质感,也有小说的魅力,叙事背景宏大,言说内容事关社会进步、城市发展、人性善恶,在阅读过程中,读者会有独特的阅读体验。 《...
评分黄金实时代的白城恶魔 “在世间消失无踪,是多么容易。” 在岁月的长河里,一个人、一座宏伟的建筑能经历多少的风雨?而一个历史事件、一个人、一座建筑消逝在岁月里又是极其容易的一件事。岁月见证了那个时代历史的发展,在世界历史上不乏“黄金时代”的频繁出现,在那个我们...
评分黄金实时代的白城恶魔 “在世间消失无踪,是多么容易。” 在岁月的长河里,一个人、一座宏伟的建筑能经历多少的风雨?而一个历史事件、一个人、一座建筑消逝在岁月里又是极其容易的一件事。岁月见证了那个时代历史的发展,在世界历史上不乏“黄金时代”的频繁出现,在那个我们...
评分《黑客帝国》里,墨菲斯展开双手分别放着两颗药丸,红色和蓝色,他对尼奥说,红色知道真相但会很痛苦,蓝色会睡个好觉,第二天上班、下班,生活依旧。无疑,吞下红色会进入真实的世界,那么蓝色则是虚幻的世界,我常常无法理解什么样的生活才是真实的生活,就像《阿凡达》的主...
对白城建造过程的描写可以说是巨细靡遗,后期收尾相比之下有点潦草了,以致于整本书最为胆战心惊悬念迭起的部分不在于Holmes的骇人罪行如何被揭露,变成了建筑师怎么在ddl前如期完工。
评分应该是很好的一本historical non-fiction,但是我就是不能connect。所以等着看电影了。
评分这是我看过的第二部non-fiction,导师Steve推荐的,当时差点还给我买了一本。这本书让我彻底的爱上了芝加哥的城市,然后我每次去芝加哥的时候,都要按照书中的内容,去探索。这部书简直就是导游啊
评分精彩之处就在于你已经知道了结果,但不知道当事人到底是怎样达成这个结果。而且种种跌宕起伏都是真实发生的事实,并不是make-believe drama,所以更加令人震惊。书中串连起来了很多人,读着读着会发出感叹,噢,回来是他/她啊!非常有意思。
评分精彩之处就在于你已经知道了结果,但不知道当事人到底是怎样达成这个结果。而且种种跌宕起伏都是真实发生的事实,并不是make-believe drama,所以更加令人震惊。书中串连起来了很多人,读着读着会发出感叹,噢,回来是他/她啊!非常有意思。
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