Dada and Surrealism

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戴維·霍普金斯(David Hopkins) 格拉斯哥大學藝術史和藝術理論教授。曾著有暢銷書《現代藝術之後:1945—2000年》(2000年)。其他理論專著還有《馬塞爾·杜尚和馬剋斯·恩斯特:分享新娘》(1988年)及《達達的男孩子們:杜尚之後的男性氣質》(2008年)。

出版者:OUP Oxford
作者:David Hopkins
出品人:
頁數:208
译者:
出版時間:2004-06-24
價格:GBP 7.99
裝幀:Paperback
isbn號碼:9780192802545
叢書系列:Very Short Introductions
圖書標籤:
  • 藝術 
  • VSI 
  • Surrealism 
  • Dada 
  • HistoryofArt 
  • AvantGarde 
  • 當代藝術 
  • 已入 
  •  
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The avant-garde movements of Dada and Surrealism continue to have a huge influence on cultural practice, especially in contemporary art, with its obsession with sexuality, fetishism, and shock tactics. In this new treatment of the subject, Hopkins focuses on the many debates surrounding these movements: the Marquis de Sade's Surrealist deification, issues of quality (How good is Dali?), the idea of the 'readymade', attitudes towards the city, the impact of Freud, attitudes to women, fetishism, and primitivism. The international nature of these movements is examined, covering the cities of Zurich, New York, Berlin, Cologne, Barcelona, Paris, London, and recenlty discovered examples in Eastern Europe. Hopkins explores the huge range of media employed by both Dada and Surrealism (collage, painting, found objects, performance art, photography, film) , whilst at the same time establishing the aesthetic differences between the movements. He also examines the Dadaist obsession with the body-as-mechanism in relation to the Surrealists' return to the fetishized/eroticized body.

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莎拉·卢卡斯《下马饮奶》 杜尚《泉》 马塞尔·杨科《伏尔泰酒馆》 马克斯·恩斯特《圣母怜子》 汉斯·阿尔普《按照机会定律排列的长方形,拼贴》 安德烈·马松《鸟的诞生》《圣诞谈话》汉娜·赫希《资产阶级婚侣——争吵》胡安·米罗《猎人》勒内·玛格丽特《强奸》萨瓦尔多·...  

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达达和超现实主义常被人混为一谈,一则是因为达达历时短(1916-1923年),再则是超现实主义的发端(1924年)几乎紧随达达之后且受到达达运动的影响。《达达与超现实主义》就是带着我们用放大镜去端详这段时隔近乎一个世纪的历史,领略这两场对我们影响深远的运动。 一. 历史图...  

評分

达达和超现实主义常被人混为一谈,一则是因为达达历时短(1916-1923年),再则是超现实主义的发端(1924年)几乎紧随达达之后且受到达达运动的影响。《达达与超现实主义》就是带着我们用放大镜去端详这段时隔近乎一个世纪的历史,领略这两场对我们影响深远的运动。 一. 历史图...  

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用戶評價

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very short introduction #4 對於這兩個密切相關的流派的評價寫得還不錯,但作為一本講藝術的書,插圖那麼少,好多作品隻能看文字描述,實在是太吊胃口瞭

评分

Dada and Surrealism seem to encapsulate the very essence of contemporary art, one with ambivalence between aesthetics and humanity and their subversion, between the universal and the individualism, between men and women, between spirituality and commercialism. Art before them are for art's sake, but that after them are for idea's and huma

评分

very short introduction #4 對於這兩個密切相關的流派的評價寫得還不錯,但作為一本講藝術的書,插圖那麼少,好多作品隻能看文字描述,實在是太吊胃口瞭

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看過的為數不多的英文書

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Dada and Surrealism seem to encapsulate the very essence of contemporary art, one with ambivalence between aesthetics and humanity and their subversion, between the universal and the individualism, between men and women, between spirituality and commercialism. Art before them are for art's sake, but that after them are for idea's and huma

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