Raymond Thornton Chandler was an American novelist and screenwriter.
In 1932, at age forty-four, Raymond Chandler decided to become a detective fiction writer after losing his job as an oil company executive during the Depression. His first short story, "Blackmailers Don't Shoot", was published in 1933 in Black Mask, a popular pulp magazine. His first novel, The Big Sleep, was published in 1939. In addition to his short stories, Chandler published just seven full novels during his lifetime (though an eighth in progress at his death was completed by Robert B. Parker). All but Playback have been realized into motion pictures, some several times. In the year before he died, he was elected president of the Mystery Writers of America. He died on March 26, 1959, in La Jolla, California.
Chandler had an immense stylistic influence on American popular literature, and is considered by many to be a founder, along with Dashiell Hammett, James M. Cain and other Black Mask writers, of the hard-boiled school of detective fiction. Chandler's Philip Marlowe, along with Hammett's Sam Spade, are considered by some to be synonymous with "private detective," both having been played on screen by Humphrey Bogart, whom many considered to be the quintessential Marlowe.
Some of Chandler's novels are considered to be important literary works, and three are often considered to be masterpieces: Farewell, My Lovely (1940), The Little Sister (1949), and The Long Goodbye (1953). The Long Goodbye is praised within an anthology of American crime stories as "arguably the first book since Hammett's The Glass Key, published more than twenty years earlier, to qualify as a serious and significant mainstream novel that just happened to possess elements of mystery"
When a dying millionaire hires Philip Marlowe to handle the blackmailer of one of his two troublesome daughters, Marlowe finds himself involved with more than extortion. Kidnapping, pornography, seduction, and murder are just a few of the complications he gets caught up in.
"Chandler [writes] like a slumming angel and invest[s] the sun-blinded streets of Los Angelos with a romantic presence."
--Ross Macdonald
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評分我是不大看侦探书的,我怕看了会睡不着,就像不大看侦探电影。 所以在看和不看之间停停走走了一个月,想着《漫长的告别》到底是何等的好书,让我们的村上村树看了有15遍之多,终于在一个无书可看的夜晚,我打开了《漫长的告别》,继而被钱德勒深深吸引。 太好看了,不...
評分因为“推理小说”这一(日本)词的普及,“推理小说”基本替代了“探侦小说”一词。 尽管一般推理小说的主角仍要有个类似“侦探”的这么个人物... 但是,“硬派侦探小说”作为专有名词仍是存在的,至今未被软化。 当然这里不是想对于什么是硬派侦探小说,谈谈我的想法。 我感...
真是既文藝又硬漢……案件在其次,真正動人的是那種氣氛、腔調和語言的掌握。一根香煙、一杯威士忌、一頂軟帽、飄著細雨的洛杉磯。還有那些比喻,哦我是有多愛那些比喻,"Dead men are heavier than broken hearts." 有趣、隨性卻又精巧,正如全書,讓人有種不得不愛的魅力。PS:Philip Marlowe和RDJ在TSD裏的形象真是神契閤(捂心口
评分hard-boiled硬漢偵探小說典範:冷雨長街,風衣禮帽,金發美女冷艷香唇多情人;酒館旅社,烈酒香煙,硬漢偵探奪命手槍無情種。
评分Marlowe 33歲的時候,還稍微有點青澀。
评分情節如此老套,然而寫得如此硬,如此好。
评分2010.9.2 不知道是念書的人的聲音太低沉還是怎麼的,故事不是特彆激動人心。懸念也不算特彆驚人。情節比較緊張。與其說是推理玄疑,還不如說是動作驚怵。最大的亮點是dialogue,拍電影應該帥極瞭。
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