This is the first book-length study to reconstruct the experiences of the abandoned heroines of the Heroides, which have been largely ignored by past criticism. Dr Spentzou seeks ways to isolate, characterize, and release the female voice and experience within Ovid's male-authored text. Building on a wide range of ancient as well as modern images and reflections on gender and writing, the book attempts to map the relationship between gendered sensitivities and experience and generic expression and choices. Dr Spentzou uses the insight gained by the boom of intertextual studies in recent Latin scholarship to go a step further and address explicitly the ideologies of intertextual studies. This is a book about readers and reading, just as much as about women and gender, and it is also an in-depth study of the intricate and heated negotiations behind the interpretative act.
具體描述
讀後感
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用戶評價
有不少啓發，也有不足。miller的書評雖然不曾糾結細節，但卻是高屋建瓴。如何在古典作品中應用現代、後現代理論，也許還需要很多classicists嘗試和探索。
评分有不少啓發，也有不足。miller的書評雖然不曾糾結細節，但卻是高屋建瓴。如何在古典作品中應用現代、後現代理論，也許還需要很多classicists嘗試和探索。
评分有不少啓發，也有不足。miller的書評雖然不曾糾結細節，但卻是高屋建瓴。如何在古典作品中應用現代、後現代理論，也許還需要很多classicists嘗試和探索。
评分有不少啓發，也有不足。miller的書評雖然不曾糾結細節，但卻是高屋建瓴。如何在古典作品中應用現代、後現代理論，也許還需要很多classicists嘗試和探索。
评分有不少啓發，也有不足。miller的書評雖然不曾糾結細節，但卻是高屋建瓴。如何在古典作品中應用現代、後現代理論，也許還需要很多classicists嘗試和探索。
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