This is the first book-length study to reconstruct the experiences of the abandoned heroines of the Heroides, which have been largely ignored by past criticism. Dr Spentzou seeks ways to isolate, characterize, and release the female voice and experience within Ovid's male-authored text. Building on a wide range of ancient as well as modern images and reflections on gender and writing, the book attempts to map the relationship between gendered sensitivities and experience and generic expression and choices. Dr Spentzou uses the insight gained by the boom of intertextual studies in recent Latin scholarship to go a step further and address explicitly the ideologies of intertextual studies. This is a book about readers and reading, just as much as about women and gender, and it is also an in-depth study of the intricate and heated negotiations behind the interpretative act.
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有不少启发，也有不足。miller的书评虽然不曾纠结细节，但却是高屋建瓴。如何在古典作品中应用现代、后现代理论，也许还需要很多classicists尝试和探索。
评分有不少启发，也有不足。miller的书评虽然不曾纠结细节，但却是高屋建瓴。如何在古典作品中应用现代、后现代理论，也许还需要很多classicists尝试和探索。
评分有不少启发，也有不足。miller的书评虽然不曾纠结细节，但却是高屋建瓴。如何在古典作品中应用现代、后现代理论，也许还需要很多classicists尝试和探索。
评分有不少启发，也有不足。miller的书评虽然不曾纠结细节，但却是高屋建瓴。如何在古典作品中应用现代、后现代理论，也许还需要很多classicists尝试和探索。
评分有不少启发，也有不足。miller的书评虽然不曾纠结细节，但却是高屋建瓴。如何在古典作品中应用现代、后现代理论，也许还需要很多classicists尝试和探索。
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