Kazuo Shinohara (1925-2006) has proved to be the most influential architect of his generation in shaping contemporary Japanese architecture. His influence stretches from Toyo Ito, Itsuko Hasegawa and Kazunari Sakamoto, via Kazuyo Sejima, to the many excellent young studios working today. Nevertheless, his work remains little known in the West, partly due to the scarcity of publications on his work - which in turn was due to the rigorous control the architect maintained over publication of his work. Shinohara carefully selected the photographs and texts that accompanied each project, and even refused Gustavo Gili's first proposal in 2001 to revisit and photograph his buildings. This publication has only been possible after his death in 2006, thanks to the generosity of the heirs.
在内部空间中不断出现的、粗壮沉重如同骨骼的混凝土柱子,存在的意义远远超出其结构功能范畴——它们令人强烈地感受到建筑的存在感与生命力,建筑的内在的本质力量被诱发了出来。在日常中,你走过它们如同走过一棵树的身旁。
評分在内部空间中不断出现的、粗壮沉重如同骨骼的混凝土柱子,存在的意义远远超出其结构功能范畴——它们令人强烈地感受到建筑的存在感与生命力,建筑的内在的本质力量被诱发了出来。在日常中,你走过它们如同走过一棵树的身旁。
評分在内部空间中不断出现的、粗壮沉重如同骨骼的混凝土柱子,存在的意义远远超出其结构功能范畴——它们令人强烈地感受到建筑的存在感与生命力,建筑的内在的本质力量被诱发了出来。在日常中,你走过它们如同走过一棵树的身旁。
評分在内部空间中不断出现的、粗壮沉重如同骨骼的混凝土柱子,存在的意义远远超出其结构功能范畴——它们令人强烈地感受到建筑的存在感与生命力,建筑的内在的本质力量被诱发了出来。在日常中,你走过它们如同走过一棵树的身旁。
評分在内部空间中不断出现的、粗壮沉重如同骨骼的混凝土柱子,存在的意义远远超出其结构功能范畴——它们令人强烈地感受到建筑的存在感与生命力,建筑的内在的本质力量被诱发了出来。在日常中,你走过它们如同走过一棵树的身旁。
電子版倒是看過幾遍
评分傍晚rand窗邊,坐下摹畫一遍。很多是之前粗略翻時沒體會的。還需結閤文字再細細讀圖,且先記上。願有多些個這樣平心專注的傍晚。
评分據說這是一個讓kerez雞凍到哭瞭的建築師
评分影響瞭幾代人
评分筱原,猛!一刀神!
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