The Possibility of an Absolute Architecture

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In The Possibility of an Absolute Architecture, Pier Vittorio Aureli proposes that a sharpened formal consciousness in architecture is a precondition for political, cultural, and social engagement with the city. Aureli uses the term absolute not in the conventional sense of "pure," but to denote something that is resolutely itself after being separated from its other. In the pursuit of the possibility of an absolute architecture, the other is the space of the city, its extensive organization, and its government. Politics is agonism through separation and confrontation; the very condition of architectural form is to separate and be separated. Through its act of separation and being separated, architecture reveals at once the essence of the city and the essence of itself as political form: the city as the composition of (separate) parts. Aureli revisits the work of four architects whose projects were advanced through the making of architectural form but whose concern was the city at large: Andrea Palladio, Giovanni Battista Piranesi, Étienne Louis-Boullée, and Oswald Mathias Ungers. The work of these architects, Aureli argues, addressed the transformations of the modern city and its urban implications through the elaboration of specific and strategic architectural forms. Their projects for the city do not take the form of an overall plan but are expressed as an "archipelago" of site-specific interventions.

出版者:The MIT Press
作者:Pier Vittorio Aureli
出品人:
页数:272
译者:
出版时间:2011-2-11
价格:USD 28.95
装帧:Paperback
isbn号码:9780262515795
丛书系列:Writing Architecture
图书标签:
  • 建筑 
  • 建筑理论 
  • PierVittorioAureli 
  • 城市 
  • Architecture 
  • 哲学 
  • Architectural-Theory 
  • 意大利 
  •  
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Architectural form reconsidered in light of a unitary conception of architecture and the city.

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如果以2008年全球性的经济危机为界,之前的世界格局提倡资本的自由流动——一种连续、延绵的地质,德勒兹(Gilles Deleuze)为代表的法国后结构主义哲学影响深远,伴随着计算机技术的蔓延,成为一系列新形式探索的理论指导。2008年以后,(新)自由主义带来的市场失败、资本贪...  

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如果以2008年全球性的经济危机为界,之前的世界格局提倡资本的自由流动——一种连续、延绵的地质,德勒兹(Gilles Deleuze)为代表的法国后结构主义哲学影响深远,伴随着计算机技术的蔓延,成为一系列新形式探索的理论指导。2008年以后,(新)自由主义带来的市场失败、资本贪...  

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The idea of differentiating URBANIZATION and CITY, and re-constructing the knowledge of architecture and city is - as Peter Eisenman put - radical and provocative, also ambitious. But I'm not convinced by the following historical digging and re-articulating...

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The idea of differentiating URBANIZATION and CITY, and re-constructing the knowledge of architecture and city is - as Peter Eisenman put - radical and provocative, also ambitious. But I'm not convinced by the following historical digging and re-articulating...

评分

如果以2008年全球性的经济危机为界,之前的世界格局提倡资本的自由流动——一种连续、延绵的地质,德勒兹(Gilles Deleuze)为代表的法国后结构主义哲学影响深远,伴随着计算机技术的蔓延,成为一系列新形式探索的理论指导。2008年以后,(新)自由主义带来的市场失败、资本贪...  

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棒棒

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理论很有趣,但总觉得案例有些过度解读的倾向…… 或许absolute architecture想解决的问题最终仍是know yourself……将一个时代的theme of politics 提取和抽象,还原为formal,重新找回因自身的infinity和ubiquity而不再具有形式的城市建筑的individuality……说不太明白,但大概要求confrontation的最终目的仍是coexistence,清楚意识到彼此作为individual的存在,证明他者而自我证明。

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Thesis reading

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last summer missed Aureli at gsapp.

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完全说到我心坎!Form is above all a cognitive instrument — 完全解释了我对建筑和电影(以及所有art)的爱,其实都是源自form;cognitive theory真的是贯穿艺术世界,应该好好发展下去啊。结构优雅,案例精准。Architecture是politics和form;亚里士多德对politics和economic的区分;archipelago;不从context出发,而是在做设计的时候把idea of city and architecture放在心里;更理解了密斯,更理解了库哈斯的vertical city;cityness;architecture is what survives the idea of city.

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