Before she was a world-renowned singer/songwriter and bestowed with the title "The Godmother of Punk," Patti Smith was a struggling poet posing for the lens of photographer Judy Linn. In intimate portraits of an artist as a young woman, Linn captures Smith at her most vulnerable, as a raw performer on the verge of becoming an iconic artist. Linn's photographs offer a fascinating document of Smith's maturation into one of the most influential women of her generation while also spotlighting her close relationships with other artists including Robert Mapplethorpe and Sam Shepard. The book captures a moment lost in time, when a poet experimenting with music crossed paths with a young artist experimenting with photography. A must-have for anyone interested in the evolution of an artist, this collection showcases the collaboration bewteen Smith and Linn and rewrites what it means to be a woman and an artist.
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从《只是孩子》开始了解她。从她的音乐到她的文字到她的摄影。如此完整的她。“我们象穿越雷区的孩子一样单纯而危险。在艺术与梦里，你应该狂放不羁地继续前行；在生命里，你应该公正而不为人知地活着。” 谢谢，帕蒂。
评分进入摇滚圈之前的帕蒂是诗人、模特，脸巨帅。影集多是特写，会看到她像吉普赛人一样装扮自己，脖子，手腕，手指，腰上，长短不一。她有很多小物件，后来还养猫，但从不缺少书籍和画册，想必还有咖啡杯。物质越贫瘠，他们越要在精神上满足自己。影集其实没透露那么多，很多还神情游离，有点无聊。但氛围就是那个年代的样儿，唯以一颗嬉皮之心面向涣散的未来。
评分从《只是孩子》开始了解她。从她的音乐到她的文字到她的摄影。如此完整的她。“我们象穿越雷区的孩子一样单纯而危险。在艺术与梦里，你应该狂放不羁地继续前行；在生命里，你应该公正而不为人知地活着。” 谢谢，帕蒂。
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