具体描述
Jennifer Egan’s spellbinding interlocking narratives circle the lives of Bennie Salazar, an aging former punk rocker and record executive, and Sasha, the passionate, troubled young woman he employs. Although Bennie and Sasha never discover each other’s pasts, the reader does, in intimate detail, along with the secret lives of a host of other characters whose paths intersect with theirs, over many years, in locales as varied as New York, San Francisco, Naples, and Africa.
We first meet Sasha in her mid-thirties, on her therapist’s couch in New York City, confronting her long-standing compulsion to steal. Later, we learn the genesis of her turmoil when we see her as the child of a violent marriage, then as a runaway living in Naples, then as a college student trying to avert the suicidal impulses of her best friend. We plunge into the hidden yearnings and disappointments of her uncle, an art historian stuck in a dead marriage, who travels to Naples to extract Sasha from the city’s demimonde and experiences an epiphany of his own while staring at a sculpture of Orpheus and Eurydice in the Museo Nazionale. We meet Bennie Salazar at the melancholy nadir of his adult life—divorced, struggling to connect with his nine-year-old son, listening to a washed-up band in the basement of a suburban house—and then revisit him in 1979, at the height of his youth, shy and tender, reveling in San Francisco’s punk scene as he discovers his ardor for rock and roll and his gift for spotting talent. We learn what became of his high school gang—who thrived and who faltered—and we encounter Lou Kline, Bennie’s catastrophically careless mentor, along with the lovers and children left behind in the wake of Lou’s far-flung sexual conquests and meteoric rise and fall.
A Visit from the Goon Squad is a book about the interplay of time and music, about survival, about the stirrings and transformations set inexorably in motion by even the most passing conjunction of our fates. In a breathtaking array of styles and tones ranging from tragedy to satire to PowerPoint, Egan captures the undertow of self-destruction that we all must either master or succumb to; the basic human hunger for redemption; and the universal tendency to reach for both—and escape the merciless progress of time—in the transporting realms of art and music. Sly, startling, exhilarating work from one of our boldest writers.
作者简介
Jennifer Egan’s 2017 novel, Manhattan Beach, has been awarded the 2018 Andrew Carnegie Medal for Excellence in Fiction. Egan was born in Chicago and raised in San Francisco. She is also the author of The Invisible Circus, a novel which became a feature film starring Cameron Diaz in 2001, Look at Me, a finalist for the National Book Award in fiction in 2001, Emerald City and Other Stories, The Keep, and A Visit From the Goon Squad, won the 2011 Pulitzer Prize, the National Book Critics Circle Award for Fiction, and the LA Times Book Prize. Her short stories have appeared in The New Yorker, Harpers, Granta, McSweeney’s and other magazines. She is a recipient of a Guggenheim Fellowship, a National Endowment for the Arts Fellowship in Fiction, and a Dorothy and Lewis B. Cullman Fellowship at the New York Public Library. Also a journalist, she has written frequently in the New York Times Magazine. Her 2002 cover story on homeless children received the Carroll Kowal Journalism Award, and “The Bipolar Kid” received a 2009 NAMI Outstanding Media Award for Science and Health Reporting from the National Alliance on Mental Illness.
目录信息
读后感
初读《时间里的痴人》,最让人印象深刻的就是它的结构了。乍看之下,这是一部由十三篇相对独立的小说组成的短篇集,但是与同样以音乐和音乐人为主题的短篇集——如石黑一雄的《小夜曲:音乐与黄昏五故事集》——不同,《时间里的痴人》中的十三个短篇实则是隶属于整个故事的十...
漫画《海贼王》里,路飞一行人曾在“伟大航路”上遇到困难,不得不各自“修炼升级”,约定好两年后重聚再启程。而当两年之后其他人都精进了各种技能回归的时候,布鲁克却成了摇滚明星,拥有众多粉丝,还开起了演唱会,一度让伙伴们以为他可能已经放弃了当海贼的念头。但就在演...
这是一部群像小说,出场人物无论曾经年少轻狂,还是后来进入职业生涯,他们的人生或多或少均与音乐(主要是摇滚)产生衔接,作者因此将人物与故事有意装入A,B两大部分以及其下有标题的具体章节,如同一盘磁带的A,B两面和灌入载体内的一首首歌曲。其结构的别具一格之处,还在于...
The phrase "time is a goon" is uttered twice in this audacious, surprisingly affecting novel-in-pieces - first by an ageing rock star, and again, years later, by a manager trying to persuade another errant, decrepit star on to a stage. All these people are ...
用户评价
这本书简直是一场文字的狂欢,读起来就像是跟着一个精力过剩的导游在迷宫般的城市里穿梭。作者的叙事手法简直是天马行空,一个场景的转换可以让你瞬间从喧嚣的派对跳跃到某个阴暗的角落,那种突兀感一开始让人有点招架不住,但很快,你就会被那种近乎即兴的节奏感所吸引。人物的塑造极其鲜活,每一个“角色”都像是我生活里曾经遇到过的某个怪癖邻居或是不太成功的艺术家,他们的挣扎、他们的虚荣、他们那些不为人知的秘密,都被剖析得淋漓尽致。我特别欣赏作者对于“时间”这个主题的处理,它不是线性的流动,而更像是一堆破碎的玻璃片,散落在不同的时间点,需要读者自己去努力拼凑出完整的画面。有些章节的语言极其华丽,充满了各种典故和隐喻,读起来需要放慢速度,像品尝陈年的威士忌一样,细细回味那些精妙的措辞。但紧接着,下一章又会用最粗粝、最直白的口吻讲述另一个故事,这种强烈的反差,让整本书充满了戏剧性的张力。它探讨的那些关于名气、衰败以及人际关系中那些微妙的权力博弈,都让人在合上书本之后,还能继续在脑海里回响很久,感觉自己好像也参与了这场盛大而又荒诞的聚会。
这本书的魅力在于其惊人的能量密度,它把几十年的时间跨度,压缩在相对紧凑的篇幅里,让读者感受到时间的飞速流逝和命运的无常。我最欣赏的是作者对于“亲密关系”的解剖,那些看似牢不可破的爱恋或友谊,在利益和时间的双重挤压下,是如何悄无声息地变形、扭曲,最终走向疏离。叙事节奏变化多端,时而急速推进,一笔带过数年光阴;时而又慢得像胶水一样粘稠,聚焦于某个特定时刻的尴尬对视或一句未说出口的道歉。这种速度的对比,极大地增强了作品的张力。作者善于运用一种冷峻而又带着一丝幽默感的笔调来叙事,即使描写的是非常悲剧性的事件,也总能找到一个荒谬或自嘲的切入点,让人在苦笑中体会到生活的荒诞。读完后,我感觉自己像是刚参加完一场漫长而又混乱的派对,虽然筋疲力尽,但脑海里留下的全是那些闪烁不定的火花和那些带着复杂表情的告别。这本书是关于现代社会中人与人之间关系的辛辣寓言。
这部作品读起来,有一种强烈的“碎片化体验”的冲击力,仿佛作者故意打乱了所有的逻辑顺序,就是要让读者体验那种信息超载和身份认同危机。它的结构非常大胆,几乎每隔几十页,你就会遇到一种全新的写作风格——从电子邮件记录到歌词,再到近乎意识流的内心独白,这让阅读过程充满了探索的乐趣,同时也要求读者具备极大的耐心去适应这种不断变化的声音。我被书中对“成名”与“遗忘”的探讨深深吸引。作者没有简单地将成功人士描绘成赢家,而是展示了他们被名利裹挟后,如何逐渐失去自我核心的艰辛过程。那些曾经的“风光无限”到了后来,都成了沉重的负担。我特别喜欢其中穿插的一些对流行文化符号的解构,它们既是时代的注脚,又是人物命运的隐喻。例如,某件时尚单品或一首老歌,在不同人物口中被赋予了完全不同的情感色彩,这揭示了在共享的文化背景下,个体经验的巨大鸿沟。这本书需要反复品味,因为它像一个多棱镜,从不同角度折射出人性的光怪陆离。
坦白说,刚开始翻开这本书时,我有点被那些密集的对话和场景描述给“吓到”了。这本书仿佛没有给我设置任何缓冲地带,直接把我扔进了一个已经进行到一半的争吵现场,我得迅速捕捉人物的身份、他们之间的历史纠葛以及他们当前的目标。作者的文笔带着一种令人信服的“内在真实性”,即便描述的是一些光怪陆离的场景,你也能感受到角色内心深处最真实的痛楚和渴望。比如,对于一个过气音乐制作人的描写,那种对昔日辉煌的执念,以及面对新一代浪潮时的无力感,简直是精准到令人心酸。我特别喜欢作者对某些场景的白描手法,它们往往简短却极具画面感,比如阳光穿过百叶窗投射在布满灰尘的录音棚里,那种光影的处理,比任何复杂的心理描写都更能体现人物的处境。这本书更像是一部社会观察报告,它毫不留情地揭示了娱乐产业的残酷性、人与人之间赤裸裸的交易,以及在追求“酷”的外表下,人们为了维持那种表象所付出的巨大代价。它不试图提供简单的答案或救赎,更多的是呈现一种复杂且令人不安的现实状态。
这是一部读起来需要高度集中精力的作品,它不是那种可以让你在通勤路上轻松消磨时间的读物。我发现自己经常需要停下来,回去重读某些段落,不是因为没看懂,而是因为作者的句子结构有时复杂得像精密的机械装置,每一个从句、每一个插入语,都承载着不可或缺的意义。叙事视角频繁地在不同人物之间切换,而且这种切换往往发生在故事的高潮处,让人不得不佩服作者对节奏的掌控力。更令人称奇的是,作者似乎有一种魔力,能将那些看似毫不相关的小细节,最终编织成一张巨大而严密的网。比如,某个角色童年时无意中听到的一句对白,多年后竟成了揭示另一个角色内心秘密的关键线索。我尤其关注其中关于“媒介”和“记录”的探讨,在数字信息爆炸的时代,作者对于记忆的易逝性和真实性的质疑,显得尤为深刻和具有预见性。它迫使你思考,我们所记住的“事实”,究竟有多少是经过美化或扭曲的二手信息。整本书的基调是略带忧伤的,即便是那些看似光鲜亮丽的场景背后,也潜藏着一种挥之不去的失落感,仿佛所有人都明白这场派对终将散场,但又不得不强颜欢笑地跳到最后一刻。
Time is a bitch
叙事手法很有技巧,每个人一段故事,写在磁带上,从A面播放到B面,唱的都是物是人非时光荏苒。在数字时代,再看书中所写的六七十年代的摇滚时代,愈发让人唏嘘。
A book for smart readers.
Time is a bitch
Post Postmodern? Mixed media. 好像肥皂剧。