From Counterculture to Cyberculture pdf epub mobi txt 電子書下載2025

簡體網頁||繁體網頁

☆☆☆☆☆

弗雷德·特納（Fred Turner），美國斯坦福大學傳播係副教授，斯坦福大學“科學、技術和社會”項目總監。弗雷德還具有十年的新聞記者經驗。著有《數字烏托邦：從反主流文化到賽博文化》和《戰爭迴響：美國的越戰記憶》。

出版者:University Of Chicago Press

作者:Fred Turner

出品人:

頁數:354

译者:

出版時間:2008-5-15

價格:USD 17.00

裝幀:Paperback

isbn號碼:9780226817422

叢書系列:

圖書標籤:

傳播學
文化研究
網絡文化
傳播
社會
文化
cyber
反主流文化

下載連結在頁面底部

facebook linkedin mastodon messenger pinterest reddit telegram twitter viber vkontakte whatsapp 複製連結

想要找書就要到小哈圖書下載中心

qciss.net

立刻按 ctrl+D收藏本頁

你會得到大驚喜!!

In the early 1960s, computers haunted the American popular imagination. Bleak tools of the cold war, they embodied the rigid organization and mechanical conformity that made the military-industrial complex possible. But by the 1990s—and the dawn of the Internet—computers started to represent a very different kind of world: a collaborative and digital utopia modeled on the communal ideals of the hippies who so vehemently rebelled against the cold war establishment in the first place.

From Counterculture to Cyberculture is the first book to explore this extraordinary and ironic transformation. Fred Turner here traces the previously untold story of a highly influential group of San Francisco Bay–area entrepreneurs: Stewart Brand and the Whole Earth network. Between 1968 and 1998, via such familiar venues as the National Book Award–winning Whole Earth Catalog , the computer conferencing system known as WELL, and, ultimately, the launch of the wildly successful Wired magazine, Brand and his colleagues brokered a long-running collaboration between San Francisco flower power and the emerging technological hub of Silicon Valley. Thanks to their vision, counterculturalists and technologists alike joined together to reimagine computers as tools for personal liberation, the building of virtual and decidedly alternative communities, and the exploration of bold new social frontiers.

Shedding new light on how our networked culture came to be, this fascinating book reminds us that the distance between the Grateful Dead and Google, between Ken Kesey and the computer itself, is not as great as we might think.