George Saunders is the #1 New York Times bestselling author of ten books, including Lincoln in the Bardo, which won the Man Booker Prize; Congratulations, by the way; Tenth of December, a finalist for the National Book Award; The Braindead Megaphone; and the critically acclaimed short story collections CivilWarLand in Bad Decline, Pastoralia, and In Persuasion Nation. He teaches in the creative writing program at Syracuse University.
From the New York Times bestselling, Booker Prize–winning author of Lincoln in the Bardo and Tenth of December comes a literary master class on what makes great stories work and what they can tell us about ourselves—and our world today.
For the last twenty years, George Saunders has been teaching a class on the Russian short story to his MFA students at Syracuse University. In A Swim in a Pond in the Rain, he shares a version of that class with us, offering some of what he and his students have discovered together over the years. Paired with iconic short stories by Chekhov, Turgenev, Tolstoy, and Gogol, the seven essays in this book are intended for anyone interested in how fiction works and why it’s more relevant than ever in these turbulent times.
In his introduction, Saunders writes, “We’re going to enter seven fastidiously constructed scale models of the world, made for a specific purpose that our time maybe doesn’t fully endorse but that these writers accepted implicitly as the aim of art—namely, to ask the big questions, questions like, How are we supposed to be living down here? What were we put here to accomplish? What should we value? What is truth, anyway, and how might we recognize it?” He approaches the stories technically yet accessibly, and through them explains how narrative functions; why we stay immersed in a story and why we resist it; and the bedrock virtues a writer must foster. The process of writing, Saunders reminds us, is a technical craft, but also a way of training oneself to see the world with new openness and curiosity.
A Swim in a Pond in the Rain is a deep exploration not just of how great writing works but of how the mind itself works while reading, and of how the reading and writing of stories make genuine connection possible.
IN THE CART 【小说写作原理阐述】 1、节奏:与现实生活相比,小说的节奏要更快、更紧凑也更夸张,必须要不停加入新的元素进来,改变已有的局势。 2、预期:好的小说是一方面满足读者的预期,同时又要做到“意料之外、情理之中”。就像Hanov的出场,读者会期盼两人有互动,但又...
評分IN THE CART 【小说写作原理阐述】 1、节奏:与现实生活相比,小说的节奏要更快、更紧凑也更夸张,必须要不停加入新的元素进来,改变已有的局势。 2、预期:好的小说是一方面满足读者的预期,同时又要做到“意料之外、情理之中”。就像Hanov的出场,读者会期盼两人有互动,但又...
評分IN THE CART 【小说写作原理阐述】 1、节奏:与现实生活相比,小说的节奏要更快、更紧凑也更夸张,必须要不停加入新的元素进来,改变已有的局势。 2、预期:好的小说是一方面满足读者的预期,同时又要做到“意料之外、情理之中”。就像Hanov的出场,读者会期盼两人有互动,但又...
評分IN THE CART 【小说写作原理阐述】 1、节奏:与现实生活相比,小说的节奏要更快、更紧凑也更夸张,必须要不停加入新的元素进来,改变已有的局势。 2、预期:好的小说是一方面满足读者的预期,同时又要做到“意料之外、情理之中”。就像Hanov的出场,读者会期盼两人有互动,但又...
評分作者分析了7个俄国短篇故事的“反常”之处,从而引出对如何写出好故事对理解。作者强调了真诚和尊重读者(从而不满足于一般预期,而是要努力探索其他可能性),以及尊重自己(相信自己独特的偏好,从而努力修改作品使其更符合自己对偏好;不预设特定的风格,而是抱着开放的心态...
意識到一件事,我可能不喜歡看小說
评分講寫作的部分讓人有些暴躁,作者非常愛用metaphor,過分愛用瞭;但作為讀者的部分還是很有意思的。讀罷Gooseberries我對契柯夫真是佩服得五體投地嗚嗚嗚。
评分a fascinating transformative experience from being a reader to being a writer.
评分非常好看的短篇小說分析。金針度與人的寫法。雖然是從作傢視覺齣發,立足於寫作技巧(而非文學理論)進行文本分析,但是在很多方麵都很有啓發,比如對於寫作者主觀意願與最終成型的客觀文本之間的關係的思考。
评分讀完此書大概會成為更好的短篇小說讀者吧,Saunders 有讓我學會關注小說作者的意圖,以及反省自己對不同風格不同腦洞的作品是不是一直以來太不寬容瞭,畢竟閱讀短篇小說就是和作者在建立連結,和作者筆下的人物建立連結呀。自己竟也想多寫一寫。
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