Richard Curt Kraus is Professor of Political Science at the University of Oregon. He is the author of Class Conflict in Chinese Socialism (Columbia 1981) and Pianos and Politics in China (Oxford 1989).
In China, a nation where the worlds of politics and art are closely linked, Western classical music was considered during the cultural revolution to be an imperialist intrusion, in direct conflict with the native aesthetic. In this revealing chronicle of the relationship between music and politics in twentieth-century China, Richard Kraus examines the evolution of China's ever-changing disposition towards European music and demonstrates the steady westernization of Chinese music. Placing China's cultural conflicts in global perspective, he traces the lives of four Chinese musicians and reflects on how their experiences are indicative of China's place at the furthest edge of an expanding Western international order.
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和其它乐器(无论中西)相比,钢琴的确有一种令国人为之陶醉沉迷乃至疯狂的东西,可称为某种意义上的“器乐之王”。各种乐器的练习都可以陶冶情操,一股脑往钢琴上凑只能说明这玩意可能更容易改变个人乃至家庭的社会地位。只是将其单纯作晋身之阶的后果大家也看到了,人海战术很难堆出真正的大师,而作为个体付出的代价却往往非常沉重
评分冼星海那章特别好。
评分逗呢么。。。生搬硬套
评分基本类属于“不忍卒读”
评分基本类属于“不忍卒读”
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