斯蒂格·拉森(Stieg Larsson),瑞典作傢與新聞記者。曾任職於瑞典中央新聞通訊社,並於工作之餘投身反法西斯主義的活動。一九九五年,他創辦瞭Expo基金會,並自一九九九年開始擔任基金會同名雜誌主編。由於他長期緻力於揭發瑞典極右派組織的不法行為,多年來一直受到程度或輕或重的死亡恐嚇與威脅。這部小說中總是積極捍衛社會正義、不求個人名利的男主角,幾乎就是拉森本人的化身。
拉森從二○○一年開始撰寫“韆禧”係列小說,二○○四年完成三部麯後,竟不幸於十一月因心髒病突發辭世,來不及看見首麯《龍文身的女孩》在二○○五年齣版,以及此係列小說售齣全球超過三十四國版權、轟動全歐的盛況。隨著第二部和第三部的齣版,“韆禧”係列引發閱讀熱潮,雄踞歐洲各國暢銷書排行榜,且曆久不墜。此外,《龍文身的女孩》在二○○六年奪得北歐犯罪小說協會最佳犯罪小說“玻璃鑰匙”奬;二○○八年,“韆禧”係列第三部《空中的城堡》(暫名)再度奪下“玻璃鑰匙”奬。拉森打破紀錄,成為瑞典有史以來第一位兩度獲頒該奬項的作傢。二○○八年二月,拉森入選英國《每日電訊報》“一生必讀的五十位犯罪小說作傢”。二○○九年,拉森被選為“歐洲最具衝擊力十大暢銷小說傢”,在榜單上排名超過丹·布朗與《暮光之城》作者斯蒂芬妮·梅爾,居於首位。
A 24-year-old computer hacker sporting an assortment of tattoos and body piercings and afflicted with Asperger Syndrome or something of the like has been under state guardianship in her native Sweden since she was thirteen. She supports herself by doing deep background investigations for Dragan Armansky, who, in turn, worries the anorexic-looking Lisbeth Salander is "the perfect victim for anyone who wished her ill." Salander may look fourteen and stubbornly shun social norms, but she possesses the inner strength of a determined survivor. She sees more than her word processor page in black and white and despises the users and abusers of this world. She won't hesitate to exact her own unique brand of retribution against small-potatoes bullies, sick predators, and corrupt magnates alike.
Financial journalist Carl Mikael Blomkvist has just been convicted of libeling a financier and is facing a fine and three months in jail. Blomkvist, after a Salander-completed background check, is summoned to a meeting with semi-retired industrialist Henrik Vanger whose far-flung but shrinking corporate empire is wholly family owned. Vanger has brooded for 36 years about the fate of his great niece, Harriet. Blomkvist is expected to live for a year on the island where many Vanger family members still reside and where Harriet was last seen. Under the cover story that he is writing a family history, Blomkvist is to investigate which family member might have done away with the teenager.
So, the stage is set. The reader easily guesses early that somehow Blomkvist and Salander will pool their talents to probe the Vanger mystery. However,Swede Stieg Larsson's The Girl with the Dragon Tattoo is no humdrum, formulaic whodunit. It is fascinating and very difficult to put down. Nor is it without some really suspenseful and chillingly ugly scenes....
The issue most saturating The Girl with the Dragon Tattoo is that of shocking sexual violence primarily against women but not excluding men. Salander and Blomkvist both confront prima facie evidence of such crimes. Larsson's other major constituent elements are corporate malfeasance that threatens complete collapse of stock markets and anarchistic distrust of officialdom to the point of endorsing (at least, almost) vigilantism. He also deals with racism as he spins a complex web from strands of real and imagined history concerning mid-twentieth century Vanger affiliations with Sweden's fascist groups.
But Larsson's carefully calibrated tale is more than a grisly, cynical world view of his country and the modern world at large. At its core, it is an fascinating character study of a young woman who easily masters computer code but for whom human interaction is almost always more trouble than it is worth, of an investigative reporter who chooses a path of less resistance than Salander but whose humanity reaches out to many including her, and of peripheral characters -- such as Armansky -- who need more of their story told.
Fortunately, The Girl with the Dragon Tattoo in English translation will be followed by two more in the Millennium series: The Girl Who Played with Fire, and The Air Castle that Blew Up. I can't wait. Larsson also made a 200-page start on a fourth book, but sadly he succumbed to a heart attack in 2004 and his father decided the unfinished work will remain unpublished.
如果用传统的侦探小说模式来衡量这本书,《龙纹身的女孩》的写作技巧显然不及格,作者是一名记者,而不是侦探小说家。他想表达的东西太多,他过于愤怒,以至于让故事失去了轻重。成功的小说家都是要与现实保持一定距离的,这样才能够冷静的观察这个世界。 但是真正的愤怒、对...
評分如果你纯粹是为消磨时光而拿起不算太薄的《龙文身女孩》,那么等待你的会是一场预料之外的旅行,目的地是瑞典,却不是我们所熟悉的家居设计热红酒烟熏三文鱼等生活表象,也不是《长袜子皮皮》《骑鹅旅行记》之类的愉快冒险。作为侦探小说的《龙文身女孩》具有同类作品循循善诱...
評分很厚的一本书,看完后觉得累。分两次看完,第一次看完后就念念不忘,第二次时间充裕全部完结。好看的一本书,但我还是看完后很累。岁月不饶人啊。 作为畅销书,此书有很多的卖点。问题女孩,顶级黑客,善良正直的记者,性侵,企业家族的内部黑幕,金融丑闻。好看,但没有触动...
評分 評分2004年的一天,瑞典记者史迪格•拉森一如既往地来到他创办的杂志社Expo上班。斯德哥尔摩六层逼仄的楼梯显然触发了他严重的心脏病,他还没有来得及走进自己的办公室,就猝然去世了。而之前,他刚刚把自己的小说四部曲“千禧年”的手稿交给自己的编辑。 2005年,“千禧年”系...
心理搭建和對於人物各種關係/感情的探索很到位,主次人物都很鮮明/可喜。中規中矩。遺憾的是前半部分事無巨細卻不無聊的陳述堆塑起的期望值太高(50%左右乍現的突破點有些突兀-。-)……希望後麵兩部有更多驚喜0.0 (過去一直以為是fantasy三部麯來著……
评分作為懸疑小說情節略顯鬆散,懸疑氣氛虎頭蛇尾,凶手的設定也過於明顯。鑒於作者的記者的背景,社會批判應該纔是他的初衷和最重要的主題吧。
评分Best detective novel I have read in 2 years!!!
评分看來兩個電影版本都還是相當忠於原著的,除瞭和諧掉部分明顯有悖普世三觀的部分。。。作為推理作品有些乏善可陳(或許是我們已被日本作傢給慣壞瞭),不過作為現實主義的犯罪小說還是有諸多亮點的。
评分副小說承擔瞭文學的一個重要部分,那就是古老的敘事快感
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