Midnight's Children

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Sir Ahmed Salman Rushdie, KBE (English pronunciation: /sælˈmɑːn ˈrʊʃdi/[1]; born 19 June 1947) is a British-Indian novelist and essayist. He achieved notability with his second novel, Midnight's Children (1981), which won the Booker Prize in 1981. Much of his fiction is set on the Indian subcontinent. His style is often classified as magical realism mixed with historical fiction, and a dominant theme of his work is the story of the many connections, disruptions and migrations between the Eastern and Western world.

His fourth novel, The Satanic Verses (1988), was the centre of The Satanic Verses controversy, with protests from Muslims in several countries. Some of the protests were violent, with Rushdie facing death threats and a fatwā issued by Ayatollah Ruhollah Khomeini, the Supreme Leader of Iran, in February 1989.

He was appointed a Knight Bachelor by Queen Elizabeth II for "services to literature" in June 2007.[2] He holds the rank Commandeur in the Ordre des Arts et des Lettres of France. He began a five-year term as Distinguished Writer in Residence at Emory University in 2007.[3] In May 2008 he was elected to the American Academy of Arts and Letters. In 2008, The Times ranked Rushdie thirteenth on their list of "The 50 greatest British writers since 1945".[4] His latest novel is The Enchantress of Florence, published in June 2008.[5]

出版者:Vintage
作者:SALMAN RUSHDIE
出品人:
頁數:672
译者:
出版時間:1995-5-18
價格:GBP 9.99
裝幀:Paperback
isbn號碼:9780099578512
叢書系列:
圖書標籤:
  • 印度 
  • 英文原版 
  • 小說 
  • Rushdie 
  • 文學 
  • Salman_Rushdie 
  • 魔幻現實 
  • 英國文學 
  •  
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Saleem Sinai was born at midnight, the midnight of India's independence, and found himself mysteriously 'handcuffed to history' by the coincidence. He is one of 1,001 children born at the midnight hour, each of them endowed with an extraordinary talent - and whose privilege and curse it is to be both master and victims of their times. Through Saleem's gifts - inner ear and wildly sensitive sense of smell - we are drawn into a fascinating family saga set against the vast, colourful background of the India of the 20th century.

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如果要推选一位在二十世纪八九十年代的世界文坛上最引起轰动的作家,那么,肯定非英国的萨曼·鲁西迪莫属了。 萨曼·鲁西迪在文学上的成就是有目共睹的,他是当今英国文坛上的领军人物,被誉为“后殖民”文学的“教父” 。三十余年来,他佳作迭出,共出版了十部...  

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本书是一部以文学方式叙述的印度现代史,作者以他丰富甚至狂野的想像力,呈现了印度丑恶与光荣兼具的纷繁面向:这块神秘次大陆及其人民的生活、命运、梦想和无奈。法国作家 米兰·昆德拉曾经这样赞叹道:自从鲁西迪的《午夜之子》在当时(一九八一年)唤起一致的欣赏后,盎格鲁-...  

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用戶評價

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很特彆的小說。在繼承瞭英國文學傳統(狄更斯,康拉德最為明顯)的同時,創造性的書寫瞭印度二十世紀的曆史(個人記憶與集體曆史的並置)。可惜的是,作者沒有擺脫essentialism的邏輯,在英美主流文壇上屢獲好評,“政治正確”的因素不可否認。難怪讀完總感覺有那麼一點兒彆扭。BTW,說起魔幻現實主義的作品,迄今為止我還是認為《百年孤獨》為最佳。

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由於對印度文化沒有認識,所以讀得非常睏難,但正因此,到最後兩章纔能感慨頗深。曆史、他人、寓言統統匯集瞭到他身上,構成瞭他的記憶、行為和個性,而他自身也在參與對他人的塑造,他的下一代身上必將有他自己的身影。雖說是後現代的,但同時也是能列入經典的大部頭序列之中的作品。不過我也對如此之多的印度曆史事件感到不太適應。對印度讀者而言,關於這些事件的每一個字肯定都扣動他們的心弦,但對非曆史讀者而言,梳理這些事件又實在過於吃力不討好瞭。

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我隻能說Rushdie天馬行空,將印度的曆史和主人公的命運捆綁在一起,主人公的成長曆程即是印度的發展過程,再加以印度神話敘述,不愧是THE BOOK OF BOOKS.

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讀完一本傑作就像是一場友誼的終結。

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由於對印度文化沒有認識,所以讀得非常睏難,但正因此,到最後兩章纔能感慨頗深。曆史、他人、寓言統統匯集瞭到他身上,構成瞭他的記憶、行為和個性,而他自身也在參與對他人的塑造,他的下一代身上必將有他自己的身影。雖說是後現代的,但同時也是能列入經典的大部頭序列之中的作品。不過我也對如此之多的印度曆史事件感到不太適應。對印度讀者而言,關於這些事件的每一個字肯定都扣動他們的心弦,但對非曆史讀者而言,梳理這些事件又實在過於吃力不討好瞭。

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