The Testaments

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Margaret Atwood was born in 1939 in Ottawa and grew up in northern Ontario, Quebec, and Toronto. She received her undergraduate degree from Victoria College at the University of Toronto and her master's degree from Radcliffe College.

Throughout her writing career, Margaret Atwood has received numerous awards and honourary degrees. She is the author of more than thirty-five volumes of poetry, children’s literature, fiction, and non-fiction and is perhaps best known for her novels, which include The Edible Woman (1970), The Handmaid's Tale (1983), The Robber Bride (1994), Alias Grace (1996), and The Blind Assassin, which won the prestigious Booker Prize in 2000. Atwood's dystopic novel, Oryx and Crake, was published in 2003. The Tent (mini-fictions) and Moral Disorder (short stories) both appeared in 2006. Her most recent volume of poetry, The Door, was published in 2007. Her non-fiction book, Payback: Debt and the Shadow Side of Wealth in the Massey series, appeared in 2008, and her most recent novel, The Year of the Flood, in the autumn of 2009. Ms. Atwood's work has been published in more than forty languages, including Farsi, Japanese, Turkish, Finnish, Korean, Icelandic and Estonian. In 2004 she co-invented the Long Pen TM.

Margaret Atwood currently lives in Toronto with writer Graeme Gibson.

Associations: Margaret Atwood was President of the Writers' Union of Canada from May 1981 to May 1982, and was President of International P.E.N., Canadian Centre (English Speaking) from 1984-1986. She and Graeme Gibson are the Joint Honourary Presidents of the Rare Bird Society within BirdLife International. Ms. Atwood is also a current Vice-President of PEN International.

出版者:Chatto & Windus
作者:[加拿大] 瑪格麗特·阿特伍德
出品人:
頁數:400
译者:
出版時間:2019-9-10
價格:GBP 20.00
裝幀:Hardcover
isbn號碼:9781784742324
叢書系列:
圖書標籤:
  • Margaret-Atwood 
  • 加拿大 
  • 小說 
  • 英文原版 
  • 反烏托邦 
  • 2019 
  • 長篇小說 
  • 女權 
  •  
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SHORTLISTED FOR THE BOOKER PRIZE

Margaret Atwood's dystopian masterpiece, The Handmaid's Tale, has become a modern classic—and now she brings the iconic story to a dramatic conclusion in this riveting sequel.

More than fifteen years after the events of The Handmaid's Tale, the theocratic regime of the Republic of Gilead maintains its grip on power, but there are signs it is beginning to rot from within. At this crucial moment, the lives of three radically different women converge, with potentially explosive results.

Two have grown up as part of the first generation to come of age in the new order. The testimonies of these two young women are joined by a third voice: a woman who wields power through the ruthless accumulation and deployment of secrets.

As Atwood unfolds The Testaments, she opens up the innermost workings of Gilead as each woman is forced to come to terms with who she is, and how far she will go for what she believes.

具體描述

讀後感

評分

History does not repeat itself, but it rhymes. 历史不会重演,但历史是押韵的. [Chapter Two: Precious Flower] · 扉页 · Freedom is a heavy load, a great and strange burden for the spirit to undertake... It is not a gift given, but a choice made, and the cho...  

評分

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好不容易在图书馆借到这本书,几乎是一口气读完了。那种阅读的畅快感是Atwood 小说特有的。无论是三线并进,还是恰到好处的收尾,技巧都炉火纯青,无可挑剔。 因为之前没有读过 The Handmaid’s Tale也没有看过剧集,所以在开篇阶段参考了The Handmaid’s Tale Wiki,了解了一...

評分

評分

好不容易在图书馆借到这本书,几乎是一口气读完了。那种阅读的畅快感是Atwood 小说特有的。无论是三线并进,还是恰到好处的收尾,技巧都炉火纯青,无可挑剔。 因为之前没有读过 The Handmaid’s Tale也没有看过剧集,所以在开篇阶段参考了The Handmaid’s Tale Wiki,了解了一...

用戶評價

评分

前半段如朝聖一般讀完,仿佛摸索著她們那段黑暗的迴憶緩緩走過基列國的冰麵,稍有不慎就會跌落,被囚禁,或被撕裂;最後八十頁在一個晚上看完,雖早已過瞭應當入睡的時間,但身處於Agnes和Nicole逃亡的小船上,隻覺波濤洶湧,睏意全無。阿特伍德在續集中更精心布局瞭小說的結構,從平行的三綫到後來互相觸及、交織和重閤,步點愈發急促,氣氛漸入高潮;Aunt Lydia的部分最為細膩,其從墜入、搖擺到覺醒的心路曆程震撼人心;小說最後依然以未來考古學的史料作結,曆史迴聲猶在耳畔。小說的末尾看到熱淚盈眶,殉道者Becka、拯救者A.L.和登上諾亞方舟的Nicole和Agnes在冥冥中互相祈福,原來,這是一部反抗抗極權主義的現代啓示錄:自由不是天賦,而是她們的選擇。愛如死亡堅強,沉默中有超越一切的持守。

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三個女性視角穿插推進,把這個反烏托邦世界構建得更具體。第一部的設定聳人聽聞冰冷壓抑,也確實開天闢地,第二部加入兩姐妹的敘述,多瞭不少溫情和希望,結尾處故事加速,聽得欲罷不能,推翻集權總是大快人心(雖然手段稍顯天真),Atwood是個有慈悲心腸的老奶奶。

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(2019.14) 跟上一部相比顯得有點fanfiction瞭。雖然作者一定程度地參與瞭劇本,但續集和劇聯係這麼密切還是挺讓人吃驚的。對比劇目前的雞肋,書看得過癮多瞭,就是感覺沒有THT那麼震撼,整體的確有點YA。但還是很感激Atwood寫瞭續集,如果有更多書就更好瞭~

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讀起來像高質量ya

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不如預期但結局解決瞭第一部的殘留懸念;Gilead is real, 如最近刪除瞭音樂專輯封麵中女性的伊朗

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