Whatever might have been be the basis for this dubious book, it must have been a question of the utmost importance and charm, as well as a deeply personal one. Testimony to that effect is the time in which it arose (in spite of which it arose), that disturbing era of the Franco-Prussian war of 1870-71. While the thunderclap of the Battle of Worth was reverberating across Europe, the meditative lover of enigmas whose lot it was to father this book sat somewhere in a corner of the Alps, extremely reflective and perplexed (thus simultaneously very distressed and carefree) and wrote down his thoughts concerning the Greeks, the kernel of that odd and difficult book to which this later preface (or postscript) should be dedicated.
这是在读书过程中的一点想法, 写出来主要是想能跟大家一起探讨,得到更大的进步。 《悲剧的诞生》笔记 V1.0 好吧,我觉得用很大精力来读这本书将会是有相当意义的事情。 实际上,高中时曾经通读过全文,可惜现在搜索记忆除了简单的理解了两...
评分首先说明一下,这篇不是读后感,充其量是读书笔记。近来越发觉得自己的记忆力衰退厉害(还年轻啊,咋整- -……),所以很有必要对自己的阅读作些札记,不然以后除了书名外,其余没准都忘个一干二净。而豆瓣的短评有万恶的字数限制,没辙,唯有以书评形式来记录吧。 接着说明的...
评分【按语:《悲剧的诞生(1872)》是尼采最早的作品,基本上是在叔本华的意志论框架内考察了艺术尤其是悲剧艺术:作为本原的意志,音乐在艺术中的优先性等都是叔本华的论题;不同之处在于:当叔本华觉得禁欲主义才是人生出路的时候,Nietzsche则认为艺术是生存的最高阶段。纵使如...
评分 评分这是在读书过程中的一点想法, 写出来主要是想能跟大家一起探讨,得到更大的进步。 《悲剧的诞生》笔记 V1.0 好吧,我觉得用很大精力来读这本书将会是有相当意义的事情。 实际上,高中时曾经通读过全文,可惜现在搜索记忆除了简单的理解了两...
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