Freud was fascinated by the mysteries of creativity and the imagination. The groundbreaking works that comprise The Uncanny present some of his most influential explorations of the mind. In these pieces Freud investigates the vivid but seemingly trivial childhood memories that often "screen" deeply uncomfortable desires; the links between literature and daydreaming; and our intensely mixed feelings about things we experience as "uncanny." Also included is Freud's celebrated study of Leonardo Da Vinci-his first exercise in psychobiography.
具體描述
讀後感
Screen memories 1. (possibly) suppresses what is significant, retains what is of no consequence 2. owes its value as a memory not to its intrinsic content, but to the relation obtaining between this content and some other, which has been suppressed 3. Scree...
評分Screen memories 1. (possibly) suppresses what is significant, retains what is of no consequence 2. owes its value as a memory not to its intrinsic content, but to the relation obtaining between this content and some other, which has been suppressed 3. Scree...
評分1986年由中国展望出版社出版的、孙恺祥译的《弗洛伊德论创造力与无意识》在第123-162页收录了本文译稿，标题为《论“令人害怕的”东西》。原书pdf已上传百度云： [https://pan.baidu.com/s/1pu02eQMPg6uj9v07GZxjDw] ，提取码为： ifjh 。网站“心理学空间”亦有收录译稿，链接...
評分1986年由中国展望出版社出版的、孙恺祥译的《弗洛伊德论创造力与无意识》在第123-162页收录了本文译稿，标题为《论“令人害怕的”东西》。原书pdf已上传百度云： [https://pan.baidu.com/s/1pu02eQMPg6uj9v07GZxjDw] ，提取码为： ifjh 。网站“心理学空间”亦有收录译稿，链接...
評分Screen memories 1. (possibly) suppresses what is significant, retains what is of no consequence 2. owes its value as a memory not to its intrinsic content, but to the relation obtaining between this content and some other, which has been suppressed 3. Scree...
用戶評價
木偶還魂記之類的驚悚片其實就是一種das unheimliche，突然還想起以前讀過的勞倫斯的木馬贏傢...那種奇怪的echo不斷成為一種involuntary repetition...林奇的穆赫蘭道就是一種uncertainty，dream和reality被模糊，the return of the repressed and the surmounted。。。theory真是一種see a view啊....睏惑的是，弗洛伊德對於這些概念的解釋都很像，難道都能類比麼...至少根據他的解釋，narcissism, the uncanny, hysteria, melancholia這些都有結構上的相似...
评分為瞭論文……補瞭在OSU沒讀的the uncanny。其實將怪熟賦予被壓抑物的迴歸時，經過強迫性重復和死趨力的中介，怪熟本身就成為瞭麵紗般的存在。怪熟及其帶來的震驚感標示齣與實在界的一次相遇，提示著主體的缺損。在這個層麵，什剋洛夫斯基與弗洛伊德相關聯。
评分我導在課上帶著大傢一起讀的，綫索比較多，弗洛伊德的論述和觀點都很有意思，同時，也是連接其晚期思想的著作；現在感興趣的是，除瞭作為弗洛伊德思想整體的一部分，其中的許多洞見，用來參看後來的恐怖電影，或者是邪典文化，都非常有啓發性
评分木偶還魂記之類的驚悚片其實就是一種das unheimliche，突然還想起以前讀過的勞倫斯的木馬贏傢...那種奇怪的echo不斷成為一種involuntary repetition...林奇的穆赫蘭道就是一種uncertainty，dream和reality被模糊，the return of the repressed and the surmounted。。。theory真是一種see a view啊....睏惑的是，弗洛伊德對於這些概念的解釋都很像，難道都能類比麼...至少根據他的解釋，narcissism, the uncanny, hysteria, melancholia這些都有結構上的相似...
评分重點讀The Uncanny。沒太想清楚和托多洛夫之間的關係，微妙。感覺一開始弗拋棄瞭Jentsch的“不確定”之說，而托則從J發展齣瞭fantastique，可二人心中文學中的uncanny的差彆為何卻不好說。主要問題在於弗對於不確定性的態度十分曖昧，如果按他的說法，讀者最後能識破機關，僅在最初感覺到幻想與現實的邊界消弭（對應托閱讀前期的迷茫感），那麼似乎弗的unheimlich約等於托的l'étrange；可盡管最終不確定性都不存在，托的uncanny是可以得到理性解釋的，而在弗這裏，根本性解釋（尤其是現實中的uncanny）似乎被懸置瞭？或者說，弗的“certainty”並不以能夠被解釋為標準？還是說，兩個範疇不同的概念（一個隻涉及文學一個延伸至現實）的比較從一開始就不valid？
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