This is a look at the principles of art history. Working from the thesis that modernity is the culture that invented what art is, the author by means of the pictorial essay offers a cultural critique of the contemporary circumstances that have influenced our notions of what art actually is, how we attempt to value it, how we have come to make a business of it. Like film, photography and other forms of mass culture, the author studies how popular taste influences the aesthetic criteria that determine its worth.
这是一本颠覆了我对艺术的理解的一本书, 也是对所有普通人对艺术是偏见或者是理解很不全面的人,认为艺术很高离人们很远的人们,认为好的艺术只是画的越真越好的人,认为抽象的艺术很垃圾的人们,这本书会完全改变你的看法。
評分作者以后现代解构主义的的角度去解读艺术,透过探讨美术史,美术馆,艺术家,美术学院,流行文化和美学的历史和社会功能,美术作为人类文化的一部分,是一种社会构造,一直都深受时代和社会影响。例如,画家/艺术家在西方文化的社会身分随着时代而变,由中世纪的工匠逐渐变成现...
評分这是一本颠覆了我对艺术的理解的一本书, 也是对所有普通人对艺术是偏见或者是理解很不全面的人,认为艺术很高离人们很远的人们,认为好的艺术只是画的越真越好的人,认为抽象的艺术很垃圾的人们,这本书会完全改变你的看法。
評分作者以后现代解构主义的的角度去解读艺术,透过探讨美术史,美术馆,艺术家,美术学院,流行文化和美学的历史和社会功能,美术作为人类文化的一部分,是一种社会构造,一直都深受时代和社会影响。例如,画家/艺术家在西方文化的社会身分随着时代而变,由中世纪的工匠逐渐变成现...
評分作者以后现代解构主义的的角度去解读艺术,透过探讨美术史,美术馆,艺术家,美术学院,流行文化和美学的历史和社会功能,美术作为人类文化的一部分,是一种社会构造,一直都深受时代和社会影响。例如,画家/艺术家在西方文化的社会身分随着时代而变,由中世纪的工匠逐渐变成现...
textbook
评分useful yet not too wordy.
评分This book overturns the common perception of art by foregrounding the modernity of the idea of art: the patriarchal stereotype and the challenge to it, the importance of originality, and the emphasis on originality – as opposed to the adherence to religion or monarchy of many distinguished figures in the history of art.
评分This book overturns the common perception of art by foregrounding the modernity of the idea of art: the patriarchal stereotype and the challenge to it, the importance of originality, and the emphasis on originality – as opposed to the adherence to religion or monarchy of many distinguished figures in the history of art.
评分useful yet not too wordy.
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